Tag Archives: angle

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocks, Spray, and Light Beams

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Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Pandemia, Photographs: Structures and Objects, Photographs: Urban/Street

Stage Door

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Stage Door
The edge of a shadow falls across a stage door.

Stage Door. © Copyright 2020 G Dan Mitchell – all rights reserved.

The edge of a shadow falls across a stage door.

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Structures and Objects

Broom Handle

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Broom Handle
The handle of a broom rests against walls

Broom Handle. Laguna Beach, California. November 25, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The handle of a broom rests against walls

What can I say? It is a broom handle! OK, maybe it isn’t just a broom handle. We briefly dropped in at the Sawdust Festival in Laguna Beach while visiting Southern California over the Thanksgiving Holiday. This is a long-standing crafts fair that, as I understand it, is sort of a “big thing” in the area.

This photograph is a reminder that there is always something to see, especially if I happen to have a camera in my hands. It would have been easy to simply walk past this little vignette, except that carrying the camera gives me an incentive to look more closely at my surroundings. This little alcove was at the back of a booth — I think it may have been one where live ceramics demonstrations were taking place — and something about the colors, the alternating panels with their remnants of paint and clay dust, and the off-kilter broom handle caused me to stop and make a few exposures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns, Evening Light

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Sand Patterns, Evening Light
Sand Patterns, Evening Light

Sand Patterns, Evening Light. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low angle evening sun highlights the patterns of a Death Valley sand dune

On my second day in Death Valley National Park — my first full day of photography there on this trip — I made a long journey down into the southern reaches of the place, driving out on some less used back roads and getting into some places I had not visited before. Death Valley National Park is a huge landscape, and getting from place to place there can become quite a production, especially if you get off of the main paved roadways and get into the back-country on the many unpaved roads. In terms of absolute mileage it probably would not seem like I went all that far, but the actual driving time was many hours. I first headed up a canyon toward an abandoned ranch and mine area, then went far to the south and took an alternative route back to the north, using a long unpaved road though high desert country.

Late in the day I made it back to my basic but functional camp at Stovepipe Wells, took a short break, and decide that it might be good evening for some sand dune photography. The closest dunes to this area are iconic and are perhaps among the two or three best known sites in the park. I don’t necessarily avoid photographing that well-known view, but I’ve seen that so many times that these days I’m a lot more interested in looking for other subjects in the dunes. For the most part I pay almost no attention to the icon here, instead preferring to wander off into lower sections of the dunes. I walk slowly, following my instincts, watching to see what might appear. In the end it could be a large view across vast acreage of dunes, or it could be some tiny subject at my feet. There had been a big wind and dust storm during the past 24 hours, and I found lots of newly made patterns in the sand. I photographed this subject in evening light, when the low angle sun highlighted the patterns of newly made ripples in the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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