Tag Archives: architecture

Building 417, Green Shadows and Red Sky

Building 417, Green Shadows and Red Sky
Building 417, Green Shadows and Red Sky

Building 417, Green Shadows and Red Sky. Mare Island Naval Shipyard, Vallejo, California. February 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dilapidated Building 417 under garish green light and reddish sky, Mare Island Naval Ship Yard, Vallejo, California.

I think this photograph probably includes some of the most bizarre lighting that I’ve encountered at Mare Island when doing night photography there. The majority of the light comes from the right, from artificial light that has been roughly color corrected to appear relatively white, at least by comparison to some of the other light colors in this image. The garish green color comes from some add artificial light behind my camera position – the same light that appears in a recently posted photograph of Building 631 with it terribly peeling wooden walls. (One odd touch – note that the shadow of the tree that appears near the center of the lower part of the building is illuminated by this light, explaining the green tree.) The green tones also appear in the stripe of paint along the upper edge of the old loading dock, in the small #417 sign at the peak of the building, and in the less-dark portions of the tree at upper right. Then the sky ends up with odd reddish-brown light reflected on the bottoms of the moving clouds, and a similar tone is found on the wall pattern of the building in the background on the left side of the frame. Finally, though it is hard to see in this small image, there is a bit of sort of grayish-purple in the window frame at the right border of the frame.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: mare, island, naval, ship, yard, historic, vallejo, california, usa, nocturnes, night, photography, structures, red, green, garish, artificial, light, sidewalk, street, lines, cement, wall, loading, dock, corrugated, building, 417, angles, architecture, windows, door, wall, tree, urban, north america, roof, sign, stock, minsy

Brick Wall and Windows, Reflection

Brick Wall and Windows, Reflection
Brick Wall and Windows, Reflection

Brick Wall and Windows, Reflection. Mare Island Naval Ship Yard, Vallejo, California. February 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night photography of structures in the “historic core” of the Mare Island Naval Ship Yard with reflection in a rain puddle – Vallejo, California.

A few times each year I have the pleasure of photographing at the Mare Island Naval Ship Yard with The Nocturnes, the San Francisco Bay Area night photography group founded my Tim Baskerville and now an important resource for information about night photography, night photography workshops, and fine night photography. During the first weekend of February I joined a small group for a visit to “the dark side” at Mare Island. In contrast to typical shoots there, this time there was no moon. However, since it had rained earlier in the day the clearing clouds and left-over reflecting puddles provided special conditions that aren’t usually available.

This scene is probably familiar to almost anyone who has shot at Mare Island. The brick wall and windows belong to the museum located in the “historic core” of the facility at the corner of 8th and Nimitz, where the huge overhead structures were used to move heavy equipment and parts to the ship construction area along the waterfront.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Central Courtyard, Rain, Curved Window – Getty Center

Central Courtyard, Rain, Curved Window - Getty Center
Central Courtyard, Rain, Curved Window - Getty Center

Central Courtyard, Rain, Curved Window – Getty Center. Los Angeles, California. December 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

The central courtyard of the Getty Center on a rainy day as viewed through a curved window from the entrance rotunda.

The typical arrival at the Getter Center is via the tram from the parking area, and after leaving the tram and walk up the shallow stairs most people first enter this round, glass-enclosed space from which I made this photograph during my rainy and foggy visit to the Center near the very end of 2009. I shot this view into the wet and almost deserted courtyard through the curved windows using a wide angle lens. I was thinking about several things as I made this photograph: the angular vertical shapes of the outdoor buildings, the perspective lines of the balconies and the pool receding toward the very foggy distance, and the dissonance of the curved window and especially the curving and sweeping “lines” of the window frames.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Visitors to the Ruins of the Sutro Baths

Visitors to the Ruins of the Sutro Baths
Visitors to the Ruins of the Sutro Baths

Visitors to the Ruins of the Sutro Baths. San Francisco, California. January 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photographs of visitors to the ruins of the Sutro Baths below the Cliff House, San Francisco, California.

I have known of the Sutro Baths ruins for a long time – since I was a child, really – and I’ve seen them before from the top of the bluff near the iconic Cliff House Restaurant at the north end of San Francisco’s Ocean Beach. But this was my first visit to the actual site. The story is that this is the site of what was once a large privately-operated pool and bath complex that sat right on the edge of the Pacific Ocean. Decades ago it was being demolished (or so I understand) when there was a fire that destroyed the buildings and left only the foundations and what appear to be the outlines of old pools. To me the site feels like visiting some very ancient ruins.

On the day we visited the surf was fairly large. While I’m sure it gets even larger in the middle of a bit Pacific winter storm, it was impressive nonetheless, especially since the site of the baths is right on the edge of the ocean. The light was wonderful. Even though it was essentially midday when we visited, the light was softened and diffused by a combination of clouds and the thick mist created by the spray from the waves. Although I had a tripod with me, I had left it in the car – so this is a hand held photograph. I think that actually turned out to my benefit, since without the tripod I could shoot more spontaneously. I had been watching and thinking about this particular spot and a composition that included the lines and shadows and angles of these walls with the Cliff House beyond. But all of a sudden I saw the people in the scene move into positions that I thought were interesting and I had to react quickly.

I’m not sure how well this photograph will work for most viewers, but at the moment it is one of my favorite recent images. Especially in the 13″ x 19″ test print I made this evening, there is – to me at least – a ton of interesting stuff going on in the scene. (Unfortunately, some of that detail may well be lost in this small jpg version.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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