Tag Archives: arete

Forest And Cliffs, Evening

Forest And Cliffs, Evening
Forest And Cliffs, Evening

Forest And Cliffs, Evening. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Forest trees, lit by evening light, ascend granite cliffs in the Yosemite National Park back-country.

From September 14 through September 21 I spent eight days on the trail in the back-country of Yosemite National Park, starting and ending at Tuolumne Meadows, taking time to photograph some of the areas I passed through. I was fortunate to be able to join up with a group of five outstanding Yosemite photographers on all but the last day – they were to remain in the high country for several more days after I left.

On the second evening of the trip I walked to a nearby rocky area to photograph, well, rocks – granite slabs, actually, that are marked by reddish deposits and broken up by trees struggling to grow in cracks and small pockets of soil in the rock. I also wanted to photograph a nearby section of the Tuolumne River as it descended through some steep areas of granite as it entered a narrower section of canyon. I started working perhaps an hour and a half or so before sunset, and as actual sunset approached I looked up from these subjects to see the light from the lowering sun beginning to backlight trees high on a cliff above my position and to angle across the edges of the cliffs themselves. I switched gears – and lenses – and began to work on finding compositions in this rocky terrain, seen through a bit of haze and lit by increasingly warm light.

G Dan Mitchell Photography
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Mount Conness and Lower Young Lake, Sunset

Mount Conness and Lower Young Lake, Sunset
Mount Conness and Lower Young Lake, Sunset

Mount Conness and Lower Young Lake, Sunset. Yosemite National Park, California. September 11, 2007. © Copyright G Dan Mitchell – all rights reserved.

Alpenglow lights Mount Conness above Lower Young Lake in the Yosemite National Park back-country.

I was recently going through a large portion of my archive in search of a variety of photographs of Mount Conness, a well-known peak along the northeast edge of Yosemite National Park on the crest of the Sierra. This is perhaps not the best known peak in Yosemite for most people – they are obviously going to be far more familiar with the cliffs and domes around Yosemite Valley or with Mount Lyell (the tallest peak in the park) or perhaps Mount Dana (second highest peak, and towering above the Tioga Pass entrance.) Mount Conness is found a bit further “north” along the crest, and while it may be less known, it is certainly no less visible once you know where to look. You can see it in the distance towering above Tenaya Lake if you stop at the iconic Olmsted Point overlook. It is visible from many places along the road to Tuolumne Meadows. Once you get away from roads and into the high country it can be seen from almost any high point with an open view in the direction of the peak, including places like Vogelsang High Sierra Camp.

This photograph was made on a quiet late-season evening at Lower Young Lake, a place that I return to frequently, most of the time in the off-season when fewer people are there and the fall colors of the high country are starting to appear. The peak (and many other features in this area) are beautifully illuminated late in the day as this high ridge is open without obstruction to the west. The light on the peak was magical on this evening, being colorful and contrasting with the higher and more drab clouds, but not being as gaudily bright as it can be on other evenings.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lower Slopes of Tucki Mountain, Dawn

Lower Slopes of Tucki Mountain, Dawn
Lower Slopes of Tucki Mountain, Dawn

Lower Slopes of Tucki Mountain, Dawn. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the faces and gullies of the lower slopes of Tucki Mountain, Death Valley National Park.

On the final morning of my recent (March, 2011) visit to Death Valley I decided to go to a spot not far from my campsite at Stovepipe Wells where I know of a bit of raised terrain that provides large-scale views of big chunks of this part of the Valley. I arrived before dawn and lugged my gear to the top of this rise with the primary plan of using a long lens to photograph across the Mesquite Dunes toward the Cottonwood Mountains at sunrise.

However, when standing in a spot like this one there are so many interesting effects of light all around that it is impossible, for me anyway, to just shoot that one thing. Far up the Valley to the north light starts to hit the highest peaks of several mountain ranges, to the east the light comes through and illuminates morning haze and layers of low hills, and to the southwest of my position the light began to reach the top of Tucki Mountain. So, between photographs of my intended subject to the west, I swung the camera though the entire 360 degrees to photograph many of these other subjects.

Tucki Mountain has fascinated me since I “discovered” it one morning while shooting on the “back side” of the Mesquite Dunes. At dawn I had been photographing the low dunes and other features on the side of the dunes that cannot be seen from the usual roadside viewpoints. As the light changed I worked my way up into the dunes a bit to photograph the shapes and textures of the sand, and I saw a composition that included this massive mountain to the south with it dark and jagged features. It was only later that I found out that it was Tucki Mountain. (If you have visited Stovepipe Wells, you have been right below the mountain.) It is a huge, sprawling peak – almost more of its own small range than a simple peak, or so it seems to me.

On this morning I first saw a big of the deep red first dawn light hitting the top of the peak and noticed lower ridges starting to pick up traces of this light. I swung that tripod head around to point this direction and decided to tightly frame some images of the overlapping ridges and valleys ascending toward the peak as the light worked its way down toward the Valley floor.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog-Shrouded Trees and Ridges, Yosemite Valley

Fog-Shrouded Trees and Ridges, Yosemite Valley
Fog-Shrouded Trees and Ridges, Yosemite Valley

Fog-Shrouded Trees and Ridges, Yosemite Valley. Yosemite National Park, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

As an autumn storm begins to clear, fog and mist swirls among trees and ridges along the rim of Yosemite Valley.

After a few days of gaudy fall color, I am returning briefly to non-gaudy fall black and white! This is another – and perhaps the last for a while – in the series of misty and cloudy photographs from my visit to Yosemite in late October as a fall storm was passing over the Valley. I was happy when I saw that my planned visit would coincide with a storm, since I love shooting the Valley in the fall in cloudy and wet conditions. As much as I enjoy the beautiful and wam late-summer days, I find the “bad” weather a lot more interesting photographically. The Valley did not disappoint during this visit – I had light rain, clouds ringing the valley, fog both on the Valley floor and among the ridges and trees along the rim, and even some cloud-filtered sunlight.

The subject of this photograph could be any of what seems like an infinite number of scenes of cliffs and ridges and trees along the upper walls of the Valley. The specific spot isn’t important, though it was just to the west of Glacier Point. At times the clouds almost completely obscured the cliff and trees, but as they moved across the face they would periodically clear enough to make bits of the scene momentarily visible. This was another of those situations in which the landscape was emphatically not static – instead it was in a constant state of flux, and it required close and constant attention to catch the photographable moments.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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