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Five Night Photographs from Mare Island

I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.

Railroad Avenue
Railroad Avenue

Railroad Avenue. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard

This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.

Industrial Building, Red Lights
Industrial Building, Red Lights

Industrial Building, Red Lights. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard

I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.

Yellow Building, Green Shadow
Yellow Building, Green Shadow

Yellow Building, Green Shadow. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard

There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.

Reserved Parking Wall
Reserved Parking Wall

Reserved Parking Wall. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Metal wall with white doors, window, and Reserved Parking sign

The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.

Reserved Parking
Reserved Parking

Reserved Parking. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance

This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ledge With Fallen Rocks

Ledge With Fallen Rocks - Red cliffs and rocks on a ledge at Park Avenue, Arches National Park
Red cliffs and rocks on a ledge at Park Avenue, Arches National Park

Ledge With Fallen Rocks. Arches National Monument, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red cliffs and rocks on a ledge at Park Avenue, Arches National Park.

I made this photograph fairly early in the morning at the Park Avenue area of Arches National Park. While morning might was hitting the walls behind my camera position, the walls in front of me were still in fairly deep shade. However, as the sun rose, its light began to come over the tops of these tall sandstone walls and spill down into the canyon. As the morning wore on, the light/shadow line began to move back closer to this wall, first illuminating the ledge and the fallen rocks in holds and then beginning to highlight edges of some of the cracks in the wall itself.

The Park Avenue area seems like one of the most accessible areas of this park being only a short distance inside the park boundaries and being very close to the roadway. The area is essentially a canyon between two nearly parallel walls of sandstone, often topped with remarkable towers and other features as the canyon descends toward where it opens up into sage brush country below. At this particular hour of this particular morning, as wonderful as that scene was, the light shooting down the canyon was only so-so, so I looked around, put on a long lens, and photographed smaller vignettes of the landscape such as this one.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Columbus Tower

Columbus Tower - The green exterior of Columbus Tower, San Francisco
The green exterior of Columbus Tower, San Francisco

Columbus Tower. San Francisco, California. August 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The green exterior of Columbus Tower, San Francisco.

This striking “flatiron” style building stands on a thin corner along Columbus Avenue which angles across San Francisco between the financial district, through North Beach, and eventually toward the waterfront. I had seen the building for many years, but hadn’t stopped to wonder about its story at all until I made this photograph. It was apparently constructed right after the 1906 earthquake, making it now over a century old. Much later in its interesting history it apparently begin to fall into disrepair. Eventually it was purchased by Francis Ford Coppola, who used it for his businesses.

On one of my “personal photo walks” though sections of San Francisco, I passed by after stopping for coffee in North Beach and heading back toward Market Street. The building is striking in many ways. The flatiron design always stands out, as the building is very narrow and very tall and stands at the end of a very narrow block of buildings. The intricate exterior would be worthy of attention even without its striking copper green color. I photographed the building from very close – an approach that I’ve been working with recently – placing a street lamp in front of the building and allowing the perspective distortion to remain in the shot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aurora Bridge, Seattle

Tower and steel structures beneath the Aurora Bridge, Seattle, Washington
Aurora Bridge, Seattle – Tower and steel structures beneath the Aurora Bridge, Seattle, Washington

Aurora Bridge, Seattle. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Tower and steel structures beneath the Aurora Bridge, Seattle, Washington.

In early May I was briefly in Seattle on personal business, and I found myself with a free couple of hours that coincided with a Seattle Photo Walk in the Fremont district – so I left my other business behind, grabbed camera and a couple primes, and headed to the meet-up at the statue of Lenin. Really – it is a long story. ;-)

For those who don’t know, there is a waterfront along the edge of Fremont – the waterway connecting Lake Washington to the Puget Sound by way of the Ballard Locks. North of the water is a more hilly area, and Aurora Avenue crosses from there heading south over the water by way of the Aurora Bridge, which stands high above the water and above Fremont. Almost as soon as I started my “photo walk” in Fremont, I knew that I wanted to wander on over towards the bridge to see what I could find. It turns out that there is a recreational trail that passes alongside and under the bridge, so I walked down that way and made a series of handheld photographs from underneath this impressive structure.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.