Detail of a wall in Chelsea along 10th Avenue near High Line Park, New York featuring ivy, bricks, and a face.
I was on the move when I grabbed this shot, so I can’t say with precision where I made it. I think it was along 10th Avenue roughly in the same area as the Standard Hotel along the High Line Park – I sort of recall looking up to see some people coming out of the hotel at about the time I made this photograph.
The face first caught my attention. I think that it is a somewhat worn poster or similar attached to the surface of the wall near this junction between two buildings, hence the division between brick and not-brick. The rich textures of worn concrete with some graffiti painted on it, the two colors of brick wall, the staring face with the intense eyes, and the incongruous growth of lush green ivy were a surprise on this very urban bit of sidewalk.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The corner of a brick building at the intersection of Ferry and Nimitz Streets catches glow from nearby outdoor lights – Mare Island Naval Shipyard, Vallejo, California.
This is another photograph from my late-February night photography shoot a the historic Mare Island Naval Shipyard with The Nocturnes. The panoramic format image shows the corner of one of the brick buildings along Nimitz Avenue near the waterfront at Ferry Street. I’m almost always a sucker for old brick buildings, especially when photographed at night, but a few other things in this scene caught my attention. The right side of the building fronts that “main” roadway of Nimitz Avenue and is more brightly lit by street lights and security lights, while the left side is more in shadow and here is lit mostly by the light of the full moon. I was also intrigued by the contrast between the angular vertical and horizontal forms of the brick wall and the odd curving shape of the cable snaking up the side of the building in the center of the frame. I also noticed the glowing windows along the dark side of the building – the interior walls are picking up light coming in through the windows facing Nimitz Avenue. I also like the tiny bit of contrasting green color in the “Ferry St” sign.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.
This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.
I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.
Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!
Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.
Industrial towers and brick building under the light of the full moon at Mare Island Naval Shipyard, Vallejo, California.
On February 27, for the second time this month, I visited Mare Island Naval Shipyard to do night photography with The Nocturnes, the San Francisco Bay Area night photography group. (Anyone looking for great resources on night photography should visit their web site. They also offer classes and workshops on night photography.) This was a “Mare Islands Alumni” event, attended by quite a few folks who have done night photography at Mare Island. One of the highlights came before the actual photography began as we met in the museum building and had a chance to view work by participating photographers – the work gets better every time and there was some wonderful night photography on display.
One attraction on this night was the full moon, which appears just above and to the right of the frame in this photograph made near the intersection of 8th and Nimitz Streets, in the heart of the old ship construction area. The was the first subject I photographed – it was something of a “do over,” since I had overlooked some obvious composition problems with the shot earlier this month and wanted to get it right this time. When I originally mentioned that, Tim Baskerville pointed out that I might have a hard time getting the same reflective puddles in the scene, but as luck would have it a good sized storm was just departing and it left great puddles everywhere!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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