Tag Archives: basin

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Construction Site, Cyclone Fence

May 17, 2012 G Dan Mitchell Leave a comment

A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.

Just across McCovey Cove from San Francisco’s AT&T Park is an area where a lot of construction is currently occurring. The area is visually interesting right now partly because of the juxtapositions of really old and run-down stuff, some of the typical empty urban areas filled with parking lots and other temporary facilities, and a lot of change as new buildings go up. On this morning I walked into an area that not all that long ago had an abandoned feeling during the morning hours – and how it was buzzing with activity. Huge steel pilings stretch toward the sky, construction zones are fenced off, and hundreds of workers and lots of heavy equipment are busily at work. Yet even this is only a temporary state that will lead before long to yet another change once the buildings are complete, the construction workers go away, and new businesses and residents move in.

At this site I had first photographed the towering steel pilings. They created a feeling of a sort of odd, abstract monument as they pointed toward the sky. (A photograph of that will appear, or may already have appeared, here at the blog.) Then I walked up next to the fence surrounding the construction site and was impressed by the organized (I presume!) confusion and complexity of what was going on at ground level. Every inch of the site seemed to be occupied by something – rebar ready for concrete pouring, workers operating various pieces of large and small machinery, engineers and planners inspecting the work, the beginnings of towers and walls rising here and there. If anything in the urban landscape comes close to the level of complexity that may be found in the natural landscape, it just might be a place like this!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Pilings and Sky

May 5, 2012 G Dan Mitchell Leave a comment

Pilings stretch toward the sky at a San Francisco construction site.

On this April morning I was walking around in the China Basin, Mission Bay area of San Francisco, having arrived on the train at the Fourth and Townsend Caltrain station very early. After photographing some light reflected in buildings not far from the station, I wandered over towards the Mission Bay area. There is a lot of construction going on in this “neighborhood” right now, and one particular block was a hotbed of work.

At one corner of this block work was well underway to set a large number of tall pilings into the ground for – I assume – a building that is soon to be erected here. I managed to maneuver myself into a spot where I could eliminate most of the other distractions and compose a photograph of these structures pointing toward the sky.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

April 18, 2012 G Dan Mitchell 2 Comments

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

April 10, 2012 G Dan Mitchell Leave a comment

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

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G Dan Mitchell Photography