“Desert Gold, Black Mountains” — The Black Mountains rise above a gravel fan covered with desert gold flowers, Death Valley.
As one bit of evidence that it might not be exaggerating to call this year’s flowers a “super bloom” I offer this photograph of a dense field of desert gold flowers, backed by mountains that are also beginning to show signs of spring growth. To be sure, not every gravel fan and wash in the park had this many flowers — far from it. But in many places the amount of color has been exceptional.
This photograph looks south toward the north end of the park’s Black Mountains, the ridge that runs along the east side of the main valley. It is an impressively rugged range, and it can be challenging finding a way to photograph it from this angle — the distance produces a lot of atmospheric haze. But on this day the air was relatively clear, and the colorful flowers and side-lit mountains gave the scene more definition.
“Dark Terrain, Evening Light” — Evening light and distant clouds above scattered desert plants growing on dark soil.
On this afternoon we decided to make a late run toward the northern end of Death Valley to photograph a particular feature. We perhaps got of to a slightly late start, but the light was still interesting as we approached. Nearby there is an area of very dark soil (which I assume may have volcanic origins) with very sparse plants. I’ve tried to photograph it before but with limited success. There was lovely cloud-dappled side light when we passed so we stopped to photograph.
The plan was for a brief stop before continuing to our planned destination while the light was good. But “the best laid plans” and all of that… Once I wandered into this spare landscape I found more and more interesting things to photograph — the plants on the rolling hills, tiny wildflowers just poking up through the soil, small playa-like areas of dried mud, and more. Before long we noticed the sun dropping behind nearby mountains… and by the time we got to our planned destination the light was fading.
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.
Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
“The Shadow’s Edge” — The shadow from Yosemite Valley cliffs moves across autumn oak trees.
I photograph in this meadow during nearly every visit to Yosemite Valley. The big oak trees are the stars for the most part — though it is hard to ignore the impressive mass of El Capitan rising behind you. The autumn foliage on these trees turns golden-brown before falling, and it can glow luminously when backlit.
The light is key to photographing here. Because this part of the valley is narrow and because tall cliffs rise on either side, the amount of direct sunlight is limited. Shadows traverse this meadow in the morning and the afternoon, and there’s interesting lighting along the margins of the shadows. Here you can see the line of shadow along the right side of the frame. Moments after I made the photograph the shadows fully enveloped these trees.
