Tag Archives: blue

Photographs: Structures and Objects, Photographs: Urban/Street

Oh See O.C.

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Oh See O.C.
“Oh See O.C.” — The O.C. McDonald sign in San Jose, California

This is not the first time I have photographed this sign. I walk a lot, and one of my routes takes me past this place, the site of a venerable light industrial business in San Jose. The accidental abstraction of the shadows from the neon light always gets my attention, and I can barely see the actual sign now that this comes to the foreground of my attention.

This place is located in an area that is rapidly changing. Years ago it was filled with small businesses and light industrial sites, the latter likely because of its proximity to a rail hub. Over time, like so many similar areas, it began to decay — there are now many abandoned buildings and closed businesses. However, this area that was formerly considered to be far enough from the city center to house less attractive businesses now feels like it is in the center of town. It is rapidly become a development site with new apartments and businesses. It won’t be long before places like “O.C. McDonald” are lost to memory.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sky, Photographs: Southern California

Just a Cloud

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Just a Cloud
“Just a Cloud” — Sunset clouds over Death Valley, February 2025.

I spotted this cloud at the end of a very long day that began in the San Francisco Bay Area. I was on the road before sunrise, heading for Death Valley National Park. I crossed the Diablo Range, continued south on Interstate 5, then crossed the Great Central Valley through Bakersfield to climb Tehachapi Pass. From there I dropped into high desert, took route 14 north along the “baby Sierra,” then followed backroads up past Trona, eventually entering the park and crossing Towne Pass. It was after 3:00 when I finally got a campsite and started setting up.

Once I had established my camp, it was time for photography. On one hand I was excited to get started. On the other hand, after that long day it would have been easier to just enjoy a quiet evening in camp. But off I went, to an elevated position from which I could photograph sunset light on desert mountains. After the light left those peaks, it still produced some color on a few dissipating lenticular clouds high above the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Woman in Red Coat

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Woman in Red Coat, Paris
“Woman in Red Coat” — A woman in a red coat sits on steps outside a Paris building.

This is another of the “grab shots” that I often come away with when I’m doing street photography. Here things appear and disappear quickly, and it is often more a matter of grab-that-shot than careful and slow consideration of the subject. Here I simply spotted this women on the steps and wearing the striking red coat as we walked past.

It can sometimes be hard to articulate precisely what I see in a photograph that I make. Here, I think that the color of the woman’s red coat is pretty important, as it stands out against the cooler colors in the rest of the scene, especially the color blue. I also was attracted to the somewhat melancholy feeling of the woman sitting alone on the steps in front of the badly weathered doorway. Form is also important, and here the mirrored shapes of the planter boxes create a kind of background rhythm.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Passing Cyclist, Le Marais

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Passing Cyclist, Le Marais
“Passing Cyclist, Le Marais” — A bicycle rider quickly passes at a cross street in Le Marais, Paris.

I often ponder the similarities and differences among the various genres of photography I pursue. (If you follow me you have seen everything from landscapes to night photography to street photography to travel and more.) The connection between landscape and street photography especially interests me, partly because many people think of them as being utterly different. I think that there are some similarities. For example, I often think about the street landscape first, and then wait and watch for someone to animate it.

That was the case here. I was interested in the wall at the end of this narrow street, and the way that its view is bounded by the darker walls on either side. I knew that I could photograph people as they passed by. One tricky part of this is that I had no idea who was about to enter the scene or from which direction. So I had to be ready to react quickly. (This necessarily results in some less than remarkable photographs, too. I won’t share those!) The time was even shorter as this woman sped past on her bicycle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)