Tag Archives: blur

Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light
Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The flower-laden branches of a dogwood tree hang above the Merced River in sunset light

In the evening we had pulled off the road near the place sometimes called “Gates of the Valley” (and occasionally by other names), but I was not especially interested in photographing the famous and iconic scene that many stop there to photograph. I wouldn’t rule out photographing it, but it would have to be an exceptional evening to warrant adding my contribution to the uncounted photographs that have been made of the Merced River, Bridal Veil Fall, and El Capitan from this spot. We stopped for dogwoods.

I have photographed the dogwood blossoms in this area plenty of times in the past, and at the right time there can be a lot of flowers here. This was one of those right times, since it seemed like an exceptional spring for production of dogwood blossoms. Initially I had my eyes on some trees on the north side of the road, but first I thought I’d wander east a bit. That turned out be a good direction to walk for several reasons – I unexpectedly ran into friends who were also photographing here, and I found one beautiful tree that was hanging its blooms out over the waters of the Merced River. I then headed back to the west, stopping to talk to other folks (it seemed like everyone was out photographing dogwoods on this evening!) and then continuing on past the pull-out, stopping along the way to make more photographs of dogwoods and the forest in evening light. Before long I ended up at a well-known bridge over the Merced – where, yes, I ran into more friends! When I got there I almost felt like I was ready to call it an evening, but then I saw the low angle near-sunset light coming up the river and recalled a bunch of flowers I had seen there earlier in the day. I thought it might be interesting to shoot almost straight into that light and use a long lens to “get close” to the flowers and to throw the background along the river out of focus. The result is a dogwood flower photograph this is a bit different from most that I shoot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Torrent, Merced River

Spring Torrent, Merced River
Spring Torrent, Merced River

Spring Torrent, Merced River. Yosemite National Park, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rushing spring run-off flow and reflected evening colors, Merced River

I made this photograph at the very end of the day, on my first real spring trip to Yosemite Valley of the season. There were rumors of a bigger-than-usual dogwood bloom (true, it turns out), which was probably the main factor related to the timing of this quick trip. However, in this very dry year in California, any high water in Valley rivers and waterfalls was going to come very early – and, in fact, the waterfalls were reasonably high, the Merced was flowing with some force, and there was almost no snow still visible anywhere.

In the evening I ended up near Pohono Bridge, shooting dogwood trees and some photographs of early evening light filtering through the forest. As the light in the Valley faded, it become more difficult to photograph the nearby forest, but some sunset color lit the higher faces of the cliffs, and this colorful light reflected on the surface of the Merced River. The lower light also allowed me to lengthen shutter speeds and allow the motion of the water to blur.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

An Explosion of Geese

An Explosion of Geese
An Explosion of Geese

An Explosion of Geese. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An explosion of sudden motion as a flock of Ross’s geese takes to the evening sky over the Central Valley of California.

Watching the Ross’s geese from close by (in this case, using my car as a “blind”), we watch and wait for the inevitably sudden lift-off. I’ve watched and tried to figure out what advance warning there might be that this will happen, and I think I detect something in the sound of the flock or perhaps the way they behave, but I have yet to put my finger on it precisely. Sometimes there can be an obvious cause – as when a young calf romped straight through the flock during this visit – but more often there doesn’t seem to be any obvious thing that triggers it.

When it does happen, it is often an astonishingly sudden event, with thousands of the birds lifting off virtually simultaneously in a maelstrom of flapping wings and squawking cries and then circling the area a few times before (in most cases) settling back down in the same spot or one not far away. Sometime when shooting in low light, such as during the early morning or late evening or when it is foggy, I like to drop the shutter speed and “go with the blur” as I did in this photograph. A close look reveals distinctly goose-like shapes and parts – feet, beaks, wings, and occasional complete body forms – but the overall effect might evoke the fluttering wildness of their lift-off.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.