This little geological vignette intrigued me. While exploring an area in Death Valley featuring very dark, fine gravel that almost has the appearance of shallow dunes, I came across low flat areas where water has obviously collected in the past. Now there was a surface of old mud, cracked into separate pieces as it dried, a familiar desert sight. But here this surface was pockmarked with small black stones.
Continue reading Mud And Stones
I had been photographing long views of colorful aspen groves on mountainsides as the sun came up. Photography in quickly-changing early morning light can be intense, and ideal conditions only last a short time. As the sun rose the light soon become too intense for the photographs I was interested in, so I went for a stroll along the base of a nearby rocky hill where it was still shady.
The hill produced the conditions that made this photograph possible. The most obvious was that the shaded light remained soft, revealing subtle elements in this little scene. Because direct sunlight had not yet arrived, the fallen leaves were still covered in frost. Morover, it is likely that the leaves collected here in the first place because the hill provided some protection from wind.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I don’t know how many of you (who view these posts at my website) pay attention to the “categories” listings. They group the posts by their subject and focus, and the photographic posts always include the categories appropriate to their subjects — they might be “nature,” or “New York City,” or “Fall,” and so on. This photograph fits into a rather broad set of them, including those listed in the previous sentence and more. Yes, it is a fall nature photograph from New York City!
There’s little to suggest this location (unless you look very closely) but I made this photograph while walking along the High Line Park on the west side of Manhattan. When I’m in NYC I typically photograph obviously urban subjects — people, buildings, streets, and so forth. But in one section of this urban trail there were big piles of lovely autumn leaves, fallen from trees planted along the elevated walkway.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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This photograph evokes memories of a whole range of sensory experiences in the Sierra. Some are specific to the time and place where the photograph was made, but others are more generalized. There’s something compelling about backcountry rain and the experience of its passage. We think of the Sierra as the “range of light,” but a storm changes everything — the light, the colors, the air, the smells, and even the sound.
This time it had rained since the previous afternoon, hard enough to keep us in our tents and away from photography. Shortly after midday it slowed to a light drizzle, and we were able to escape the tents and head out with camera gear. Nearby was an outcropping where the rocks where still shiny with rain, and in the distance post-rain fog was drifting among the peaks.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.