Tag Archives: california

Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows
Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Six Ross’s Geese in Flight

Six Ross's Geese in Flight
Six Ross’s Geese in Flight

Six Ross’s Geese in Flight. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small flock of six Ross’s geese in flight against the sky in golden hour light, San Joaquin Valley, California

Late on this January afternoon – more like early evening perhaps – we were staking out a small flock of Ross’s geese that had parked themselves in a nearby pond. There were not that many of them – nothing like the flocks of many thousands that we have watched on some other evenings, when they gradually depart in small groups over a long period of time, or the very large group we saw earlier this year that mostly just moved around in a pasture near where we were shooting. Each time a small sub group departed on this evening, they created a noticeable decline in the number of birds left behind.

However, they somewhat compensated for their small numbers by means of their more “photographable” departure path, at least in some cases. Rather than flying away from us, some instead flew from left to right in front of our position and some of them even did a few laps overhead before actually leaving. This group of six was among those most obliging geese. They had departed to the right, looped back around to the left, and then flew across in front of us a second time, all the while taking a fairly low flight path. As this group passed by I watched carefully though the viewfinder to try to catch them in an instant when none of them obscured the others in the flock, and I caught such a moment here with the added bonus of a bit of slightly golden late afternoon light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables
San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables. San Francisco, California. March 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Golden Gate Bridge Cables silhouetted against hazy morning light on San Francisco Bay and city skyline

Back in March I took a day to go up into Marin County to do some early spring photography, thinking about the possibility of shooting in the redwood forest at Muir Woods – which was, in fact, where I ended up. I left well before dawn, and crossed the Golden Gate Bridge right about the time the sun was coming up. Being a big fan of shooting in atmospheric haze of all sorts, the very thin layer of fog spreading across the entrance to the bay was enough to make me pull over and make a few photographs of the bay and the city.

This was an unusual sort of fog. We are more familiar with the banks of thick fog coming in off of the Pacific and flowing in through the Golden Gate, covering the bridge and rising over the shoulders or even the summits of the hills, often with a fairly sharp boundary between fog and clear air. This fog, however, was thin and more widespread and did not form the familiar “bank.” It was closer to translucent than to opaque, and the outline of the downtown San Francisco skyline was visible, though all details were muted. The identity of the foreground structure probably needs no explanation!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.