Tag Archives: canyon

One Green Leaf

One Green Leaf, Capitol Reef National Park
“One Green Leaf” — One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations about which I had and still have the most to learn is Capitol Reef National Park. My encounter with this park, in 2012, was a bit superficial, though my excuse is that we were only passing through on our way to another place. All I saw was the short highway drive that passed through the park via the Fruita District — the rest of the park remained a complete mystery. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that I want to return.

I made this photograph in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and headed into the canyon while the temperature still hovered around freezing. There was no one else there, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Butte and Petrified Dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park - Morning light on buttes and petrified dunes, Arches National Park
Morning light on buttes and petrified dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on buttes and petrified dunes, Arches National Park

While I’m fascinated and amazed by the namesake arches in this park and by the monumental sandstone buttes, mesas, fins, canyons, towers, and more… I also find that the light and the atmosphere can produce some of the most interesting subjects in Arches National Park. Because this particular butte and the terrain beyond are seen from a spot that is also excellent for photographing certain other nearby subjects, especially in the early morning, this was not the first time that I photographed this scene – though the atmosphere and light were so different on the two main occasions that you might hardly see them as the same subjects at first.

After photographing some impressive nearby sandstone formations in early morning light, I watched as the sun rose high enough to slant its light across the tops of the low formations known as petrified dunes. This is one of several photographs I made there were largely “about” that light and those dune structures, though in both cases I used them as elements in a larger scene rather than the primary subject. Here the backlit morning haze was thick enough to almost render the furthest buttes in the upper right corner of the frame invisible. They are a good distance away, being on the far side of the canyon of the Colorado River, which is visible in front of the buttes. The large, close butte at the lower left posed a challenge as the “front” side was in shadow. (Though the challenge here was less than the last time when I shot here – on that occasion the backlight was so brilliant that I could keep almost no detail in the front of that butte.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Escalante River, Cottonwood Trees, Autumn

Escalante River, Cottonwood Trees, Autumn - Large cottonwood trees with autumn leaves along the Escalante River, Utah
Large cottonwood trees with autumn leaves along the Escalante River, Utah

Escalante River, Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cottonwood trees with autumn leaves along the Escalante River, Utah

In many places like this one along the Escalante, the terrain seems to be largely a continuous repetition of one horseshoe bend after another, and each bend encourages me to want to see what will be ahead. When the river bends one way, the bottom of the canyon may be in sunlight; when it bends the other – and perhaps narrows around the apex of the bend – everything may be in deep shadow from the tall cliffs above the narrow canyon. In these bends it is often necessary to cross back and forth across the stream as the canyon narrows. (That ritual was a new one to me as a long-time Sierra Nevada hiker and backpacker. There a stream crossing or two in a day would typically be about it, and we tend to make a big deal out of them. Here you might cross a stream more than a dozen times in less than a mile!)

The location of this photograph was at one of those crossing points. The trail approached my camera position from up the canyon and around the bend along the right (from this point of view) side of the stream, crossed the river down among the trees, and then headed across a low hill to the left that skirted between the river and the base of the cliffs. When I arrived at this point and walked underneath this wildly colorful group of cottonwoods, I thought I’d like to find a way to photograph them, the river, and the dark upper canyon. So, before wading through the water I went ahead a bit and climbed up on a sort of ledge to this overlook from which I had a good view up the canyon. Because it was a partly cloudy day, the light here was in a constant state of change. When the clouds moved overhead, the canyon and the trees become quite dark. But a moment later the cloud would pass on and the sun lit the golden trees so brightly that it was almost impossible to photograph them and keep any light in the background canyon. So I watched and waited and made this exposure when the clouds partially obscured the direct sun, but still let in enough light to brighten the trees and cast soft shadows on the bank of the stream.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cottonwood Trees and Cloud-Filled Sky

Cottonwood Trees and Cloud-Filled Sky - Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument
Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

Cottonwood Trees and Cloud-Filled Sky. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

This photograph was a sort of passing whimsy, in a sense. In this particular canyon that we visited in late October, our attention as mostly focused on avoiding inclusion of the sky in the frame. For the most part, the tall cliff walls were almost the default background for many photographs, so I paid little attention to the sky, for the most part, except to contrive ways to keep its distracting solid blue out of the frame, where it would distract from the colors and shapes and textures of rock and trees and water.

But when I came straight up to this tree just before we entered a narrow section of the canyon, it is was impossible ignore. It is actually a single tree that splits into two twin trunks near its base, with each trunk then sprouting a group of curving, twisting and interlocking branches high above the ground. With this subject, out in the open as it was, photographing it against the background of rock would not have worked, and it was so tall that I was essentially forced to shoot it with the camera pointing up. Fortunately, there were interesting clouds in the sky, and even more fortuitously the lines in the clouds roughly lined up with the left half of the v-shape of the two converging ridges down that canyon. Even better, this shallow “v” of the canyon rims and low peaks beyond echoed and cradled the somewhat similar shape found in the upper branches of the tree.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.