Tag Archives: central

Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Sky

Autumn Sky
“Autumn Sky” — November morning sky and clouds above California’s Central Valley.

The pre-dawn light on this autumn morning in California’s Central Valley did not look all that promising. It was one of those, “OK, but nothing remarkable” days — lovely, but not with quite the magic I hoped for. As I recall, the earliest light of sunrise was muted by clouds to the east over the Sierra Nevada. But before long things began to improve, and I had a few moments of quite intense light shortly after sunrise.

This is an example of a phenomenon that I’ve learned to watch for. It is a circumstance that increases the potential for brilliant dawn or sunset color, though it is far from a guarantee. On a cloudy morning or evening when the cloud layer ends far to the east (at dawn) or west (at sunset), there is a chance that the sun will briefly shine under the clouds as it touches the horizon, lighting the clouds with intensely colorful light from underneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Cranes at Dusk

Cranes at Dusk
“Cranes at Dusk” — The evening fly-in of lesser sandhill cranes at dusk.

We spent New Year’s Day with friends, after getting up early to greet the literal dawn of the new year. OK, it was kind of cloudy and we didn’t see the sun until later. But still, it was a great day and a fine group to share it with. We photographed birds and landscape, and we shared food and drink that each of us had brought for the occasion. The day culminated with the evening fly-in of sandhill cranes.

The sandhill cranes stay in nearby ponds overnight, and around dawn many of them get up and fly away for the day. Typically they return at dusk, when there’s barely enough light left for photography, and their characteristic cries mark the end of the day. This small group was cooperative enough to pass through a patch of beautiful, colorful twilight sky just before landing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Cranes in Synchronized Flight

Two Cranes in Synchronized Flight
“Two Cranes in Synchronized Flight” — Two lesser sandhill cranes in synchronized flight above California’s Central Valley.

Sandhill cranes always excite me. Aside from backyard birds like robins, they are the first birds that intrigued me — years ago when I read about them in Leopold’s “A Sand County Almanac” for a college class. Although I had not ever seen the birds, Leopold’s description stuck with me, and years later I was thrilled to learn that they are abundant in parts of California. I had not realized this, and it was an accidentally “discovery” made back when I started to photograph migratory geese.

Given that geese first brought me to the places where the cranes are found, the differences between the habits of these kinds of birds caught my attention. Geese often assemble noisily in flocks containing thousands of birds, but most cranes stick to somewhat smaller groups. (Though there are exceptions.) While geese flocks often take to the air in huge numbers, most of the time I see cranes in groups of a few dozen or less. Their pattern of flight usually (though, again, there are exceptions) features slower wing motion and often extensive periods of gliding. I photographed this pair flying above me in the very early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.