Tag Archives: cliff

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Conifers, Snow, Cliff

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Conifers, Snow, Cliff
A group of conifer trees at the edge of a meadow during Yosemite Valley snow flurries

Conifers, Snow, Cliff. © Copyright 2018 G Dan Mitchell – all rights reserved.

A group of conifer trees at the edge of a meadow during Yosemite Valley snow flurries

During the two-plus months of my Yosemite Renaissance artist-in-residency in the park I made hundreds of photographs. Some of those made it into a show that is now going on at Gallery 5 in Oakhurst, on the southern park boundary: “Transitions: Winter Into Spring — Yosemite Renaissance Artist-In-Residence G Dan Mitchell And Friends.” (The show continues until the end of this month, and it features the work of several fellow artists I invited to join me: Jerry Bosworth, Franka Mlikota Gabler, Charlotte Hamilton Gib, David Hoffman, Vidya Kane, and Kerby Smith.) I mention this because I am still working on photographs from this project even now — and this is one of them.

I made this photograph on a mid-April day when winter seemed to want to hang on just a bit longer. Near the start of this visit a small but energetic weather front swept through, raising the wind, dropping the temperature, and leaving behind a layer of new snow. I made this photograph as the storm passed, with snow flurries muting the features of more distant trees and the huge granite cliffs beyond. The snow also mutes the colors, and unless you look closely you might mistake this for a monochromatic photograph.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastline Near Klamath River

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Coastline Near Klamath River
Late-day light on the rugged coastline just south of the Klamath River

Coastline Near Klamath River. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late-day light on the rugged coastline just south of the Klamath River

I had passed by the great Klamath River on my way north to the Redwood National and State Parks, crossing it on the long bridge just upstream from where it meets the Pacific. On that late afternoon I took a quick detour up onto a small dead-end road from which I could look back down at the river and the sandbar between it and the ocean, and I made a few photographs before moving on — I still wanted to photograph redwoods before the day ended, and I had a bit of a drive beyond that to get to my motel.

Late the next day I found myself with a bit of unscheduled time, so I returned to the Klamath, again as the end of the day approached — but this time I was not in a hurry to leave. When I had visited the day before I had looked across the river to the hills and coastal bluffs to the south, and this time I decided to explore that area a bit. A drive took me to an overlook from which there was an unobstructed view along the coastline to the south as the evening golden hour light began.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks, Cliffs, Sunset

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Sea Stacks, Cliffs, Sunset
Coastal cliffs, sea stacks, and beach reflecting the light of a Northern California Pacific Ocean sunset

Sea Stacks, Cliffs, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

Coastal cliffs, sea stacks, and beach reflecting the light of a Northern California Pacific Ocean sunset

This photograph illustrates — as do so many others! — the many situations in which a photograph is the result of some combination of planning, experience, patience, “seeing,” and just plain good luck. In the morning I had photographed a few hours north of here at Prairie Creek Redwood State Park. As I worked that area, in the back of my mind I was calculating the driving time (plus eating and photographing time) that would put me at a particular spot along the coastline above Fort Bragg a bit before sunset. It is a spot that I have photographed before and one that both challenges and appeals to me. I knew the features of the spot, but there was no way to know what the conditions might be — in fact, I thought there was a pretty good chance that it might be fogged in.

As I approached this area, passing through inland mountains, it was apparent that fog was going to be an issue. Even inland the coastal fog was obscuring the upper slopes. Arriving at the coast I found “blah,” gray light. But there I was, knowing that this would be my last stop of the day, so I thought I might make something work in black and white. Then I noticed something interesting — the fog bank ended in the distance to the northwest right along the coastline, and right along the horizon there was a thin band of glowing, reflecting water. It occurred to me that this thin band would likely expand toward my position as the sun dropped toward the horizon, and that there could be a short period of special light. Before long the glow on the water came closer and the nearby waves began to pick up some sunset color. Then, as the bottom of the sun started to emerge below the edge of the cloud shield, the mist began to glow and the sun’s light came directly at me between the shadows of sea stacks, something can happen only for a few days during a brief interval or two each year… and only on days when the coastal weather conditions permit it.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Haze, El Capitan

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Morning Light, Haze, El Capitan
Beams of early morning sunlight pass through haze to illuminate El Capitan

Morning Light, Haze, El Capitan. © Copyright 2018 G Dan Mitchell – all rights reserved.

Beams of early morning sunlight pass through haze to illuminate El Capitan

I’m coming to think of the start of this particular day in lower Yosemite Valley as being “Bierstadt Day.” Albert Bierstadt was a landscape painter who made several notable renderings of Yosemite subjects in the 1800s, paintings that perhaps formed the image for the park for many who saw them. They are not “realistic” in a photographic sense, but tend toward exaggerating features and using dramatic effects of perspective, atmosphere, and light. When I see Bierstadt paintings I often think both of how they evoked the wonder of seeing remarkable places like Yosemite Valley and of how flexibly and subjectively he treated these subjects. I also think about how little they look like the literal place, as least in objective sense.

However, at certain moments, the quality of light and atmosphere came close on this morning. The morning began inauspiciously, and in the pre-dawn light I could tell that it was cloudy and gray. However, as I approached the Valley from Wawona there were breaks in the clouds. Arriving at my first clear viewpoint, the iconic tunnel view (where I usually wouldn’t stop on my way into the Valley), the view included the usual Valley features, layers of drifting clouds and mist, and beams of colorful light playing across this landscape. I put a long lens on my camera and began to follow the changing conditions, picking out small sections of the grand view that seemed most interesting. At the moment of this photograph (and, indeed, the light lasted only a moment) sun beams broke through the clouds and moved in front of the face of El Capitan.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.