Red rock sandstone cliffs at dusk in the Fruita area of Capitol Reef National Park, Utah.
The farther mesa or tableland is a prominent feature of the Fruita District area of Capitol Reef National Park as seen when approaching from the west – though here it is photographed from a slightly different point of view that is more to the south. There is a prominent feature – not seen in this photograph – along the upper rim of these cliffs that is known as “The Organ,” and which is pointed out in guides and maps to the area. However, I’m surprise that the spectacular cliff and mesa itself seems to either not have a name or else have a name that is not widely known. I asked about this when I was there, and several people who should know did not know of a name for it, and one suggested a name that comes from another feature that is more general.
Nonetheless, these cliffs certainly impress me, named or not! The photograph was made rather late in the day, as the sun was just about to drop above the edge of the higher country to the left/west of here. Thin clouds somewhat diffused and softened the evening light, but not so much as to remove the warm coloration of the light. Among the strata visible here is one along the low ridge at front right that contains starkly differentiated layers of lighter and darker rock. Near the far lower left corner is a small area of trees that is not far from the campgrounds of the Fruita area.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Coastal bluffs along the Pacific coast near Davenport, California in dusk light
I made this photograph on a day when I had gone to the coast to try to meet up with a “photo walk” group that was photographing (and socializing) in various areas in and around Santa Cruz, California. I never did quite manage to connect up with them – it is a long story – but I did get to shoot along the coastal bluffs near Davenport in the afternoon and as the day came to an end.
In late afternoon the light was mostly gray, with high clouds from a passing weak weather front blocking the western sky. However, just minutes before sunset the sunlight managed to sneak through a gap along the horizon and momentarily suffuse the coast with beautiful and soft light. I made some photographs during that moment, but I was not done yet when that light faded. Some of the most interesting light can come after sunset, when there may still be a glow from the sky but when this light is more diffused and softer. As the evening came on, I continued shooting until it was almost too dark to find my way back to my car, making exposures that gradually lengthened until I was using a 30 second exposure! This is one of the long exposures, allowing the clouds to move a bit and the waves and surf to blend together into a sort of hazy mist.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The last light shines on coastal bluffs and Davenport, California
On this early December day I had gone off to try to join a G+ “photowalk” that was purportedly taking place that day. I was looking forward to going to a few favorite local photography locations and to meeting some people who I’ve only known online. But it was not to be! I ended up being delayed at home and couldn’t leave in time to meet the group at their first location, Henry Cowell Park. I went with Plan B and figured I would try to join up with them at lunch in Davenport. I got there and didn’t see anyone, so I figured that I was early and I drove up the coast a bit. I came back to Davenport and thought they might be in one of the two restaurants, so I picked one and went in for lunch… by myself. (I found out later that, yes, they were in the other restaurant a hundred yards south.) After lunch I went across the road to the parking area when I thought folks might meet up, but still no luck – though I did see a few photographers out on the nearby bluff. I headed out there and finally ran into a couple of people from the group… which had gone down to a nearby beach area to shoot.
Finding interesting stuff up here on the bluff, I decide to work the location I found myself in rather than heading off and looking for something else. While the location was interesting, the light was initially unpromising. However, I thought there was a chance that things might improve later so I walked around and began doing some shooting. At one point, I talked to some other photographers about the somewhat bland lighting conditions and pointed out that it seemed to me that there was at least a chance that we might get a bit of interesting light as the sun dropped to the horizon, when the light can sometimes shine in below the clouds and produce some brief but beautiful conditions. This prediction turned out to be right, and I made this photograph just as the show was beginning, and warm-tone light was starting to hit the bluffs, beaches, and water.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunset light momentarily illuminates coastal bluffs near Davenport, California
This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.
The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.
However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
