Tag Archives: cliffs

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Red Cliffs, Dawn

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Red Cliffs, Dawn
Red Cliffs, in dawn light, in front of Death Valley and distant desert mountains.

Red Cliffs, Dawn. © Copyright 2023 G Dan Mitchell.

Red Cliffs, in dawn light, in front of Death Valley and distant desert mountains.

During my January visit to Death Valley National Park I ended up exploring this scene over a period of several days. My ability to travel more widely in the park was limited by storm-related road closures, so I took a closer look than usual at areas nearer main attractions. The first time I was in this area I missed the good light but saw potential, so I returned later on scout more thoroughly. (That led to a lovely, solitary hike up a long wash that doesn’t seem to get many visitors.) I went back for a third time, arriving well before sunrise and photographing until the light became less compelling.

There’s a whole lot of “Death Valley stuff” in this photograph. The foreground includes eroded badlands terrain with multi-colored soils. Above this a band of rugged red cliffs catches the day’s first direct sunlight. Further in the distance immense salt flats are still in shadow, and near the limits of visibility another big mountain range rises through the atmospheric haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands and Sea Stacks

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Headlands and Sea Stacks
Steep headlands and sea stacks along the rugged Big Sur coast, California.

Headlands and Sea Stacks. © Copyright 2023 G Dan Mitchell.

Steep headlands and sea stacks along the rugged Big Sur coast, California.

In several ways, though not all, this was the best kind of winter day to photograph along the Big Sur coast. Recent storms had complicated access just enough to keep the crowds away. The lingering moisture softened the atmosphere and light. The surf was up. I stopped at a few of the usual places, but also found a few new overlooks. This is the second time I’ve been to this specific spot, and the conditions were different each time.

The scene is full of elements of a “typical” Big Sur coast photograph. Steep headlands running into the ocean? Check. Sea stacks just offshore? Check. The ever-present horizon? Check. Surf? Check. A bit of mist or fog? Check. Perhaps add a stop at the Big Sur Bakery along the way, and all of the pieces are in place!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Mouth of the LIttle Sur

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Mouth of the LIttle Sur
Sun breaks through morning fog along the Big Sur coast at the Little Sur River on a spring morning.

Mouth of the LIttle Sur. © Copyright 2022 G Dan Mitchell.

Sun breaks through morning fog along the Big Sur coast at the Little Sur River on a spring morning.

Try as I may, I cannot pass this spot without at least a brief stop. The hill (a future sea stack?) sits at the terminus of the Little Sur River, where it takes a meandering route across the beach before emptying into the Pacific Ocean. Backed by the rugged cliffs of the Big Sur coast, it is a remarkable little scene, especially on a day like this when I found myself at the edge of the fog bank, and light came and went as the fog oscillated back and forth. Beams of light traversed the face of the distant faces and raced across the beach.

If you follow my posts you know that I live close enough to the Pacific Coast to go there and photograph for the morning, and that I’ve been going there for decades. The coast is as beautiful as always, especially when I arrive early enough to beat the tourist traffic, but it is showing some rough edges these days. The extent of recent wildfires is concerning, and areas still suffer from washouts that occurred during flooding. Given that last fact, it is ironic that drought is also affecting the landscape, and places that should be in the middle of their intensely green spring growth are already turning brown.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Bluffs and Mist, Morning Light

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Bluffs and Mist, Morning Light
Coastal bluffs, morning fog and mist along the Big Sur coast.

Bluffs and Mist, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Coastal bluffs, morning fog and mist along the Big Sur coast.

Photographing along the Big Sur Coast in the early morning presents some challenges and some special opportunities. The challenge is straightforward — in almost all locations there are mountains to your east that block the morning light. This means that you won’t see the earliest eastern sunrise sky at all, and that the landscape is frequently all or partly in shadow. But one of the opportunities comes from the same source — light arriving along the coast just as the sun clears these obstructions often passes through narrow clefts and valleys, and when the air is full of fog and mist this can create a plethora of light beams.

Those beams are what I saw in this scene. The process of finding the composition here is one that I use a lot. I stopped at a familiar location that presents a very large and panoramic landscape featuring a famous icon. My first instinct was to photograph anything but that icon, so I framed a composition that took in a section of coast and surf running away from me to the south. After I made a few exposures of that subject, each of which tried to capture a different state of the surf, I became interested in the bluff at the far end of the scene. So I went with a very long focal length and honed in on this small part of the larger landscape, focusing on the beautiful shaft of light between the bluffs that lit up the fog and spray and highlighted sections of the surf.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.