Tag Archives: cliffs

Edge of the Continent

Edge of the Continent
The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Edge of the Continent. © Copyright 2021 G Dan Mitchell – all rights reserved.

The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Although I was born in the Upper Midwest, I don’t think I could live there anymore — even though many aspects of the place are in my blood and feel comfortable to me. I recall visiting a few decades ago — and, honestly, generally enjoying myself — but watching the sun set and thinking about how many hundreds (more than a thousand, actually) of miles it is to the ocean. I can’t quite put the feeling into words, but it just seemed odd to this guy who has lived perhaps 25 linear miles from the Pacific Ocean for, well, more than a couple of decades.

I was thinking about this feeling as I visited the area in this photograph, the Big Sur Coast of California, the rugged interface between North America and the vast Pacific Ocean. The sense that there is an empty, unknown space that we don’t inhabit has long had a powerful effect on us, and here at the edge of the continent we can come face to face with a wilderness that most of us will never fully explore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bridge and Fog

Bridge and Fog
A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Bridge and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Somewhat to my surprise, I have yet another photograph from this December visit to the Big Sur coast. Actually, I should not be surprised to “discover” photographs among files left behind when I originally considered them. For some reason, this is not an uncommon experience at all. (I believe it was Gary Winogrand who waited for a considerable time before even developing his film.) I have some theories. One is that in the days right after making the photograph I have some ideas of what I expect it to be, and the actual image does not always come up to the imagined standard. But given time and some aesthetic distance from the image, its inherent, intrinsic potential starts to emerge on its own.

The subject here is a particular spot that I’ve stopped to photograph many times on my visits to the Big Sur coast. (Hint: It is not the bridge you probably think it is.) I remember thinking on more than one occasion that there was no new way to photograph the scene, only to come upon it in some particular set of conditions that I had not seen before. There are a few different elements in this version. First, the fog was quite special — a combination of low, coast-hugging fog and spray from the surf, with clear sky above that let the light create a backlit glow. Due to the particularities of season and time of day, I was able to point back toward the land and get the bright reflections on the water. The little bit of fence at the left is another new element. Typically when I had photographed here in the past I went to some effort to keep that fence out of the frame — but this time I decided to embrace it as part of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks, Cliff, and Beach

Sea Stacks, Cliff, and Beach
Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

Sea Stacks, Cliff, and Beach. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

This photograph is not from this season’s California North Coast adventure — instead it comes from the visit before that during the last June of the pre-pandemic era. Our goal was the farther northern redwood parks, where we hoped to photograph the trees and rhododendrons, but first we stopped further south at Mendocino for a couple of nights.

There are worthy photographic subjects all up and down this remarkable coast, but it isn’t often that I’m so close to them that I can get up in the morning, walk out the door, and five minutes later be standing at the edge of a coastal bluff setting up my tripod. I was out early — of course! — and the area was fairly empty as I framed up this composition that looks toward the river that empties into Mendocino Bay. Morning fog obscured distant features, and the foreground landscape is formed by cliffs, bluffs, and the interaction of shadows, direct light, and the patterns of waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rugged Shoreline, Big Sur Coast

Rugged Shoreline, Big Sur Coast
Morning fog along the rugged Big Sur shoreline.

Rugged Shoreline, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog along the rugged Big Sur shoreline.

Because I live in the Greater San Francisco Bay Area I have the luxury of choosing to go to the coast on a moment’s notice, even if I only have a morning, an afternoon, or an evening for the trip. I can watch the weather conditions and choose to go if they look good (clearing fog!) or stay home if they don’t (boring blue sky!). Because I lean toward more dramatic conditions, I tend to choose times around the passage of a weather system — which can bring impressive surf — or else foggy days that look like they will clear.

Fog can be moody and interesting on its own, but a lot of the most fascinating light comes along the intersection between fog and clear sky as the fog begins to lift. The views begin to open up, but portions of the scene may still be muted or partially obscured. In the areas of lighter fog the light is directional but not overly intense and harsh. And along the mountainous edge of the continent along the Big Sur coast the fog often drapes itself across mountain ridges and moves as I watch it. That was the case here, as I photographed across a particularly rugged section of the shoreline toward a ridge and peninsula.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.