Tag Archives: Cloud

Photographs: Nature, Photographs: Sierra Nevada

Beaver Pond, McGee Creek

October 17, 2012 G Dan Mitchell Leave a comment

A beaver pond floods a low area of McGee Creek below the peaks at the edge of Pioneer Basin.

Unlike some so-called beaver ponds in the Sierra, this one really does appear to be the home of beavers. If you look closely near the far bank of the pond, just left of center, you can see the distinctive peaked beaver den.

This spot was a bit of a landmark on the trail up McGee Canyon on my mid-September backpack trip to Steelhead Lake. Before this the trail mostly crossed relatively dry and open terrain, but starting at this point there was more forest cover, and the valley gradually began to become more rocky and narrower. There is just a bit of early fall color in this photograph. The plants around the pond have obviously gone brown, and some of the aspens and other brush ascending the slopes of the canyon are just barely beginning to change – what I sometimes call the “lime green” stage where it starts to become clear that the real color change is not far away. The distant tall ridge marks the boundary between the McGee Creek drainage and Pioneer Basin. I’m not positive, but I think that the two high points on the ridge might be Mounts Stanford and Crocker, part of a group of four peaks ringing Pioneer Basin that are named after the four “railroad barons, the other two being Huntington and Hopkins.

Unlike most of my mountain photographs, this was essentially a handheld “snap” – though made with a good camera and lens. When I’m hiking I carry my camera and two lenses in a chest strap mounted front carrier so that I can make some photographs while on the move without having to remove my pack. This sort of shot, made at a time of less than optimum light, is an example of the sort of thing that I’ll occasionally shoot that way.

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Photographs: Nature, Photographs: Sierra Nevada

Fall Color, Parker Bench and Parker Canyon

October 10, 2012 G Dan Mitchell 1 Comment

Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada.

Parker Bench is an area above the northern portion of the June Lakes Loop, lying below Parker Lake and the canyon topping out at Parker Pass. The area is visible from highway 395, though driving up closer reveals a lot more details. The canyon itself appears to be very rugged, and I’m not even certain that a trail climbs it to the pass. I do know that the main route over the pass does not descend the canyon, instead turning south and climbing higher after it crosses the pass to exit Yosemite National Park. I’ve hiked to the pass quite a few times, and explored the country on the Yosemite side of the pass extensively.

This can be a good area to view almost the full transition of aspen color as it moves gradually downward from the highest elevations and out into Owens Valley and similar sage brush country areas. In this photograph extensive groves of aspens in full seasonal color are visible on the slopes to the right of the creek draining the canyon, and in a location that is not far from Parker Lake. When this photograph was made in mid-October of 2011, the color had worked its way down below the forest and out into the relatively low areas along the creeks descending from the higher peaks. Right in front of the camera there are bright colors from brush and a few aspens. Also note the unusually heavy snow up near the pass. October 2011 was an unusual month in that it started with a series of three relatively strong winter-type storms sweeping across the Sierra, closing a number of passes and dropping a foot or more of snow in places.

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley, Photographs: Sierra Nevada

Dawn Light, Alkali Lake and the Minarets

October 1, 2012 G Dan Mitchell 2 Comments

Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner

Although it has been almost a year since I made this photograph, I recall the morning very well. I had stayed at a cheap motel in Mammoth Lakes the night before, and when I got up well before dawn I had no specific shooting plan other than to head in the general direction of places where I would find aspens, most likely somewhat south of Mammoth. I drove down to highway 395 from Mammoth and spotted the steam from the hot springs along with some fog in Long Valley. Figuring that I wasn’t certain where I would find the aspen color I was looking for but that I was certain that interesting stuff was happening out in the valley, I changed plans and headed there instead.

I drove to small lake where I have photographed a number of times in the past, pulled off the road, grabbed my gear, and headed out to the bank of the lake opposite the still relatively dark Sierra crest. This was an unusual early October, and three relatively large winter-type storms had passed through during the previous week, dropping substantial early season snow all along the upper reaches of the Sierra. As a consequence, at a time of year when it usually looks more like summer, the range had taken on a very wintry appearance. As the first pre-dawn light came to the sky, it turned the slightly hazy atmosphere a beautiful shade of pink and this light was reflected in the surface of the small lake.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Fog and Blue Sky, Drakes Bay

August 29, 2012 G Dan Mitchell Leave a comment

Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.

One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.

I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.