Tag Archives: Cloud

Sierra Foothills, Evening

Sierra Foothills, Evening - Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.
Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.

Sierra Foothills, Evening. Mariposa County, California. April 15, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.

I’m going to take a brief break from posting photographs from my early April week in Utah and post one or more recent photographs from here in California. This past weekend I found time (and the right weather, or so I thought) to make a very quick one-day run up to Yosemite and back. My main goal was to photograph wildflowers in the Merced River Canyon, where lots of interesting color starts to appear about this time each year. Although there was some real concern about how the wildflowers might develop this year, given the serious drought in much of California, some late-season rains and other factors seem to have jump-started some really interesting displays. In Merced Canyon there are lots of wonderful wildflowers and other things, but I was especially interested in California poppies (which, actually, are found throughout much of the state right now) and the blooming redbud plants.

My day didn’t go quite as planned. I was sort of hoping to run into a bunch of other photographs who were likely to be in the canyon as well, but a series of decisions on my part caused me to end up in different places than where they went. After shooting into mid-morning in the Merced Canyon I decided to make a quick trip into Yosemite Valley, but not too long after I arrived there some clouds began to roll in. Clouds can be wonderful in and around the Valley – and I actually managed to use them in some other photographs I’ll share later – but this was still not quite what I was originally looking for. Very late in the afternoon I did a bit of final shooting in and around the Valley, and then I decided to head back down into Merced Canyon before the light was completely gone. I made a few photographs of redbud and California poppies, but it seemed like my day for photography was coming to an end, so I packed up and started my long trek back to the Bay Area. Near the top of the steep climb out of Briceburg I started to notice some interesting light on the spring-green ridges to my right and behind me, and then I spotted a familiar-looking figure alongside the road with a tripod and camera. At this point I had to stop, to say “hi” to my friends if for no other reason! Then I saw this lovely and subtle light on the ridge – the cloud-muted light from the setting sun was washing the clouds with a gentle pink light, and its glow was adding warm colors to the green chaparral near the summit ridge… and a moment later this light was gone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Winter Sky

Ross's Geese, Winter Sky - A group of Ross's geese in flight against a winter sky above California's Central Valley.
A group of Ross's geese in flight against a winter sky above California's Central Valley.

Ross’s Geese, Winter Sky. Merced National Wildlife Refuge. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of Ross’s geese in flight against a winter sky above California’s Central Valley.

I may have mentioned before that I’m not the world best namer of things – I struggle with identification of both flora and fauna, at least beyond the most obvious stuff. This is somewhat odd, since I often recall and recognize in great detail the specific characteristics of things. For example, while I’ve never been able to consistently remember the names of certain wildflowers, I’m very familiar with them and can tell you exactly where to find the plants, when they bloom, and so forth. This is all my preamble to saying that I’m pretty sure these are Ross’s Geese, but that I make no guarantees! From a bit of reading and viewing I did before posting, I found out that telling the Ross’s Goose apart from the Snow Goose is not an easy thing. Some of the differences are more of degree than anything else – one is a bit larger and has a bit larger wingspan. Others are subtle, for example the head shapes. Some or more obvious, such as the presence or not of a certain pattern on the side of the bill. (I now know that some other birds that I had not identified earlier on must be Snow Geese… since I now recall seeing that very pattern and wondering about it.)

Anyway… when we visited the Merced National Wildlife Refuge on an early February evening we got lucky and found a huge mass of these birds (and others) in a location that was fairly close to the places from which viewing was possible. To give you an idea of how many birds there were, when we first arrived we noticed groups of a few hundred lifting off and flying away and began to worry that we might miss the show – but it turned out that a few hundred departures, repeated many times over, did not diminish the apparent size of the monumental group of birds at all!

For me, and I suspect for most who photograph these birds, the “hit rate” is something considerably short of 100%. If I have to wait long enough for birds to fly over, eventually I get impatient and start shooting groups that are really too far away to make good photos. Others look like they are heading my direction, so I compose and start shooting, only to watch them veer off to the side. Others approach close enough but they end up against bright sky and little or no detail is visible in the shot. Others come close but assume odd positions that don’t make impressive photographs, or they may even come too close to photograph! But eventually, something good happens. This group came close, flew towards me, and within shooting distance not only turned to present great profiles but even lined up in such a way that the low sun caught their undersides and filled in what might have been silhouettes otherwise.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Birds, Brush, and Setting Sun

Birds, Brush, and Setting Sun - Sun sets over Merced National Wildlife Refuge, silhouetting brush and birds.
Sun sets over Merced National Wildlife Refuge, silhouetting brush and birds.

Birds, Brush, and Setting Sun. Merced National Wildlife Refuge, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sun sets over Merced National Wildlife Refuge, silhouetting brush and birds.

I’m not usually one to shoot straight into the rising or setting sun, but here you are… straight into the setting sun! While photographing birds and landscape at the Merced National Wildlife Refuge during the last weekend of January, we ended at a bend in the gravel road that loops around the main area of the refuge. We were trying to get close enough to some very big flocks of birds that were settling in on the nearby fields along the ponds, but they were mostly too far away. From time to time flocks would pass overhead, so we were able to photograph them in small groups, but the shots of the larger group – containing thousands of birds – eluded us on this visit.

But when the birds are more difficult to photograph, I end up looking around more at other things. And even in what might seem like a flat and almost featureless landscape, there are elements that contribute to the sense of quiet and space that comes on in the evening in the parts of the Central Valley… and before you know it, I’m shooting landscapes again! We had seen this little clump of trees or brush earlier and used it as an element in some other photographs. We had also noticed that one solitary bird perched motionless on a single tall branch extending above the surrounding thicker brush. Then it occurred to me that if I moved just a few feet to my left that the sun might pass right behind the bird shortly before it set – and a few frames later this photograph resulted.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Owens Valley, Tungsten Hills, and Mount Tom

Owens Valley, Tungsten Hills, and Mount Tom - Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.
Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.

Owens Valley, Tungsten Hills, and Mount Tom. Eastern Sierra Nevada, California. January 2. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.

When I’m driving to a photography destination, I often have to suppress the desire to stop and make photographs along the way. If I’m not careful, I can end up spending extra hours on the drive and arrive too late. (Sometimes I plan extra time for my long drives just to accommodate my need to stop and photograph en route.) I cope with sighting photographic potential as I drive by either pretending it isn’t there, filing it away for a later trip… or occasionally giving in and stopping.

As I headed down highway 395 on this winter afternoon, on my way to get a camp site in Death Valley, I was aware of the fact that if I took too long I would end up having to find a camp site and set up camp after dark when I arrived – and my destination was still hours away. But after descending to Round Valley just north of Bishop, California I became more aware of the interesting and somewhat unusually afternoon winter light and I finally just had to make a quick stop. The foreground Owens Valley high desert plants had lost all of their “green,” and now had a range of shades of yellow, brown, red, white, black, and even a bit of near-purple. Beyond them the Tungsten Hills began the rise from the valley toward the crest of the eastern escarpment of the Sierra, here dominated by the bulk of massive Mount Tom, a very tall peak that appears even larger because it sits more to the east than most of the other high peaks. The combination of backlight from above the range and high, thin clouds created a sort of muted sunny effect.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.