Tall buildings soar into foggy sky in the financial district of San Francisco, California.
I’ll keep the commentary short on this one – it is part of a series that already includes the commentary, and today I prefer not to write a lot. The photograph was made on a San Francisco walk that eventually took me across a short section of the Embarcadero and then up into the area just north of the financial district. From there I walked into that district and focused on photographing the tall buildings found there, looking for odd and interesting juxtapositions and thinking about how I could use the weather conditions – which included high clouds, sprinkles of rain, and ocean fog sliding in over the City and obscuring the tops of the buildings.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.
Among my very favorite conditions in Yosemite Valley are those of winter or late-spring days when there is snow along the cliffs high above the Valley and clouds float along the cliff tops alternately revealing and hiding trees, cliffs, and granite spires. The story behind this photograph is, as is often the case, one of being distracted from the obvious thing by some other small thing that I could have overlooked if I hadn’t looked in the right direction at the right moment.
I was in the Yosemite Valley area for a day, primarily to shoot wildflowers in Merced Canyon below the park. Between my morning and evening shooting along the Merced, I headed up into the Valley to see what I could find. Frankly, although it is always beautiful to be in the Valley, I wasn’t seeing much of anything that inspired me to make photographs. I enjoyed my time there, but eventually decided to go to a slightly different area to see what I could find. On my way back to the Valley from that other place, I passed through Wawona Tunnel, had some extra time, and decided to at least pull out briefly at tunnel view and have a look around. The scene is always tremendous, with the astonishing Valley and all of its impossible features spread before you – but it isn’t always worth trying to turn this into a photograph. I’m spoiled enough that I don’t always even take the camera out when I stop there, and this was one of those days. I left my gear in the car and just walked to the overlook to, well, look for a minute before driving on. I have a habit of looking all around when I’m in such a place since sometimes a subject can be found that is not the primary iconic thing. So I looked around… and high above and way off to the side I saw the clouds gathering around a few of the granite spires, with an occasional beam of light shining through. Ignoring the Valley itself, I now quickly returned to my car, put a long lens on the camera, put the camera on the tripod… and from the back of my car and in the parking lot (sigh… ;-) I made a series of photographs of these fog-shrouded snowy cliffs.
I understand that this weekend a number of photographers, including quite a few that I know, will assemble in the Valley for a “photo walk.” I won’t be there, since I have another thing that I have to attend to elsewhere. So consider this photograph to be my “best wishes for a great shoot.” Oh, and it is also a personal photographic celebration of the fact that Tioga Pass will open on Monday, making the high country my home away from home for many days over the next few months.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Subtle colors illuminate a ridge top and sunset clouds in the Sierra Nevada foothills, California.
This is yet another virtual “happy accident” photograph. I posted a different version of it earlier, but it may have been long enough that I can tell the story again. I had been in Yosemite Valley and surrounding areas for the day, and late in the afternoon I left The Valley to head into Merced Canyon where the redbud and California Golden Poppies were blooming. The plan was to get into the canyon while there was still sun in the sky but at a time when lengthening shadows would bring some soft light to various deeper/steeper sections of the canyon. So I shot there until a bit less than an hour before sunset and then decided to head on home, starting the long drive back to the San Francisco Bay Area.
I headed down the canyon, still unable to completely stop looking at the newly green grasses, the plants that were starting to leaf out, and the profusion of purple redbud blossoms and bright orange California Poppies spreading up some of the steep hillsides. But as beautiful as much of this was, I wasn’t seeing photographs in it, so I continued on. Soon I reached Briceburg, where the road leaves the Merced and climbs steeply as it heads toward Mariposa. Climbing this steep section I continued to glance back over my shoulder at the green, chaparral-coverd ridges behind me and the clouds above them that were beginning to pick up a bit of sunset color. As I neared the top of the climb I almost kept going – doing the internal debate between it might make an interesting photograph and I’m hungry and I want to start home! – I passed a photographer set up beside the road, and I quickly recognized him as a friend. Now I had no choice but to stop, so I did a u-turn at the first turnout and headed back down the hill to where he and his wife were. I grabbed my gear, said “hi” as I set up, and figured that I might as well make a few final exposures of the delicately colored sky and the subtle tones that the last light imparted to the upper ridges.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.
I’m going to take a brief break from posting photographs from my early April week in Utah and post one or more recent photographs from here in California. This past weekend I found time (and the right weather, or so I thought) to make a very quick one-day run up to Yosemite and back. My main goal was to photograph wildflowers in the Merced River Canyon, where lots of interesting color starts to appear about this time each year. Although there was some real concern about how the wildflowers might develop this year, given the serious drought in much of California, some late-season rains and other factors seem to have jump-started some really interesting displays. In Merced Canyon there are lots of wonderful wildflowers and other things, but I was especially interested in California poppies (which, actually, are found throughout much of the state right now) and the blooming redbud plants.
My day didn’t go quite as planned. I was sort of hoping to run into a bunch of other photographs who were likely to be in the canyon as well, but a series of decisions on my part caused me to end up in different places than where they went. After shooting into mid-morning in the Merced Canyon I decided to make a quick trip into Yosemite Valley, but not too long after I arrived there some clouds began to roll in. Clouds can be wonderful in and around the Valley – and I actually managed to use them in some other photographs I’ll share later – but this was still not quite what I was originally looking for. Very late in the afternoon I did a bit of final shooting in and around the Valley, and then I decided to head back down into Merced Canyon before the light was completely gone. I made a few photographs of redbud and California poppies, but it seemed like my day for photography was coming to an end, so I packed up and started my long trek back to the Bay Area. Near the top of the steep climb out of Briceburg I started to notice some interesting light on the spring-green ridges to my right and behind me, and then I spotted a familiar-looking figure alongside the road with a tripod and camera. At this point I had to stop, to say “hi” to my friends if for no other reason! Then I saw this lovely and subtle light on the ridge – the cloud-muted light from the setting sun was washing the clouds with a gentle pink light, and its glow was adding warm colors to the green chaparral near the summit ridge… and a moment later this light was gone.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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