Tag Archives: clouds

Evening Shower, Sierra Pond

Evening Shower, Sierra Pond
Raindrops from a late afternoon shower mark the surface of a small Sierra Nevada pond reflecting the sky

Evening Shower, Sierra Pond. Kings Canyon National Park, California. September 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Raindrops from a late afternoon shower mark the surface of a small Sierra Nevada pond reflecting the sky

During our mid-September photographic sojourn to the back-country of Kings Canyon National Park, the four photographers in my group were blessed with a wide range of weather conditions. The weather was never difficult or bad, but we did get precipitation on something like five of the 9 days we were on the trail. This constitutes what I might describe as “interesting” weather – clouds, some showers, a bit of wind, occasional mist around the peaks, but nothing dangerous or wild enough to interfere with photography and confine us to tents. (Although we missed it, if we had stayed a couple of days longer we might well have added snow to the experience!) From my perspective, and I’m sure that I share this view with most Sierra photographers, the thing we perhaps dread most is encountering one of those weeks-long bouts of perfect blue sky boring weather. Give us some clouds and a bit of rain!

While it is possible to encounter the first Pacific weather fronts of the season at about the time we were there, with their potential for many hours or even days of “weather,” what we encountered was more like the typical summer monsoon weather. Most days started clear or nearly so, and by midday we started to see a build-up of clouds. By sometime in the late afternoon it became apparent that showers were possible, so we went out with appropriate rain gear and protection for camera equipment. As familiar as I am with this weather and even though I’m attentive to the changing conditions, it always seems that the actual onset of rain – typically a few drops seen in the surface of a lake like this one, followed by increasing showers – catches me by surprise. On the afternoon when I made this photograph, as on several other afternoons, there were patches of open sky around and I wasn’t actually expecting rain at the moment it arrived. I made this photograph at one of those moments when the rain was barely enough to feel, but when the pattern of drops on the reflecting surface of the water provided undeniable evidence of precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Solitary Tree, Glacial Erratic Boulders

Solitary Tree, Glacial Erratic Boulders
Solitary Tree, Glacial Erratic Boulders

Solitary Tree, Glacial Erratic Boulders. Yosemite National Park, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree grows on granite slabs, surrounded by glacial erratic boulders

I made this photograph at a well-known and increasingly iconic location along the Tioga Pass Road as it passes along the Sierra high country terrain as it ascends toward Tioga Pass. This spot could probably serve as a prime lesson about how many other opportunities and ways to see there are for Sierra photographers, even when shooting with certain big, famous iconic features only a few degrees of tripod swivel away! (It is OK to photograph the icons, too – we all do it. But it is more rewarding I think, to also look beyond such things to see the much larger and equally beautiful world around them.)

The basics of looking beyond icons involve, well, looking around. A first step might be to go ahead and photograph the icon a few times, get to know it, and perhaps eventually shoot it when there is something a bit different about it – unusual weather conditions, a different time of day, out of season, etc. But the next step is to look in other directions, poke around a bit, and think about just what else contributes to the subjective experience of being in that place. I come to this spot frequently just before sunrise, and at that time the beautiful glacial erratic boulders strewn about the terrain are highlighted by the slanting, warm light and some of the more distant features are beautifully obscured by shadow and atmospheric haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening
Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening. Eastern Sierra Nevada, California. August 6, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

Pastel colors in evening clouds above Paoha Island reflect on the surface of Mono Lake

On this evening I ended up at Mono Lake on more or less a hunch about the clouds – thunder clouds had built to the east out over the basin and range country and even a bit over the Sierra, and I had heard a report of thunder and lightning a bit north of here, so I decided to chance an evening visit to the south shore of the lake. Mono Lake evening light can be very special, but it can also be a bit tricky. Because the tall peaks of the Sierra Nevada crest lie directly to the west, the light leaves the lake itself well before actual sunset, so you often might end up relying on the clouds themselves to provide most of the interest. Smoke from a wildfire to the south near Mammoth Lakes had also been affecting the atmosphere, creating a lot of haze and some unusual colors.

In any case, I drove out to a point along the south shore of the lake – not the well-known South Tufa site, though visible from there – and watched the mostly uninspiring light of this very hazy evening. But there I was, and there wasn’t time before the end of the light to get from Mono Lake to other places that might be interesting, so I stayed and photographed and thought about how I might be able to work with the light and conditions that were available to me. There were beautifully shaped clouds, and they rose high enough above the lower atmosphere to gain some clarity. The haze muted the shapes and colors of the far hills and the darker shape of the island. So I composed the scene to just barely hold the island and a bit of the lake at the bottom, and used that to anchor a scene that was mostly sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Sky, Negit Island

Desert Sky, Negit Island
Desert Sky, Negit Island

Desert Sky, Negit Island. Mono Lake, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Mono Lake and dark Negit Island beneath a vast and cloud-filled summer sky

Mono Lake still seems like a somewhat mysterious place to me. Although I’m familiar with parts of it, having gone by and to it for many years on Sierra trips and having photographed there many times, I find it hard to quite get my mind around it in the same way that I can with many other places. There are probably several factors that contribute to this. First, it is obviously an absolutely huge place. While I can see the far side of the lake and the mountains beyond, they are a great distance away, as I’ve realized when traveling just part way around it – so I have looked at much of it but I have not directly experienced that much of it close up. Second, we feel that we know the chief features of this lake very well – they are, I suppose, the lowering water level of this close-off basin lake, its tremendous size, the mineral-filled water, and the famous tufa formations. But a bit more time, even only that time that I’ve spent there that is mostly secondary to “Sierra time,” and it starts to be clear that these things are not the whole story.

Some years ago, when photographing the tufas around dawn, mostly when almost no one else was around, I began to catch on to the fact that things like the sounds of flocks of birds, the immense distances on land and – especially – in the huge sky, the wind, and the deep quiet of the place have more to do with its character than the tufas. Often when I stop there now I do not go to the tufas at all, instead perhaps expanding my knowledge of other areas of the lake and surrounding country. This photograph was made from above the lake, in a location where I could look slightly down on the water, which better shows its expanse, and on the dark shape of volcanic Negit Island. But I chose to include them primarily not for their own value but rather to anchor that vast sky with its building afternoon clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.