Tag Archives: coast

Winter Storm Surf

At one point while photographing the late-December winter storm surf along California’s coastline, I momentarily hit the light jackpot. While the far horizon was still dark and stormy, a break in the shoreline clouds cast bright sunlight on the surf crashing onto this beach. On a typical day the largest waves here would be more like the one at the bottom of the frame. On this day the biggest waves were huge and loud and sent spray far inland.

Many of us head straight to the coast when conditions like these arise. It is a spectacular thing and not to be missed. At the same time, authorities issue lots of warnings about the dangers. The dangers are real and you certainly want to keep your distance from the sea when it behaves like this. But with a degree of caution you can — and should! — safely watch the show.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pacific Clouds and Sun

The most remarkable thing about ocean coasts might be the wildly varied effects of light and color. In some conditions there may be intense blue and green colors or the warm tones of early morning and evening. When light is affected by storms and fog, the colors may drain from the scene. This photograph is an example of the latter situation — believe it or not, this is a color photograph.

Like my other recent seascapes, I made this one during the end-of-year period of historically high tides and giant surf along the California coast. While this photograph doesn’t focus on gigantic, impressive waves breaking near the shore, if you look closely you can see that a large swell is distorting the undulating surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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2023: Favorite Photos

It is that time again — time to share favorite photographs from the past year. I am sharing “2023: Favorite Photos,” including a dozen representative images. I think it is a diverse set, and I hope you’ll enjoy it!

Below is a single image of the full set of twelve. Subjects include the Sierra Nevada (of course!), Death Valley (also of course!), the California coast, birds in California’s Central Valley, a macro photograph, an urban landscape from Manhattan, and several photographs from our 10-week visit to (mostly) Southern Europe.

It is a group of 12 images chosen from among my 2023 favorites — not necessarily my “12 Best Photographs” of the year. (See the difference?) The process of winnowing the set down to a dozen left out other favorites. I like all of those photographs, but I chose these because they represent a variety of work and cover some of the main experiences, places, and subjects of 2023.

I’ll post each photo separately below, too, adding a bit of narration to each image. I hope you enjoy them!

The individual photographs follow, in no particular order, accompanied by brief descriptions. Click the photographs to display them larger. Click their titles to see and read the original posts, which include more descriptive text. You may leave comments and questions at the end of this article.

Our long visit (ten weeks!) to Europe last summer was wonderful, but I missed almost the whole summer in “my Sierra Nevada.” (I haven’t yet figured out how to be in two places at once.) But once we returned to the USA I turned my attention to the mountains and made my first visit of the (tail end of) summer in mid-September. I was on the East Side on this stormy evening when the sky and clouds above Mono Lake lit up, providing a dramatic and spectacular light show.


Continue reading 2023: Favorite Photos

Breaker

Breaker
“Breaker” — Waves generated by a big Pacific Ocean storm break near the California coastline.

It is quite an experience to get up close and personal with huge storm surf like this — though having a very long lens and finding the right shooting location helps makes it safe. We headed to the coast south of San Francisco during California’s bout of giant waves between Christmas and New Year’s Day. At this location a peninsula juts out into the ocean between a beach and a bay. At the tip of this peninsula one is very close to the waves as they break and roll into that bay.

In a way, photographing these waves is more or less like photographing moving landscapes. They have slopes, peaks, and cliffs, and the effects of wind and light are part of the scene. The main difference is that everything is ephemeral. The landscape stands still, but when photographing waves the landscape photographer has to think more like someone photographing active wildlife or sports, making instantaneous, intuitive decisions about timing and composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.