Tag Archives: creek

Morning Fog, Rocks, and Surf

Morning Fog, Rocks, and Surf
The surf rolls in on a quiet, foggy morning along the coast north of Santa Cruz, California near Waddell Creek.

Morning Fog, Rocks, and Surf. © Copyright 2021 G Dan Mitchell – all rights reserved.

The surf rolls in on a quiet, foggy morning along the coast north of Santa Cruz, California near Waddell Creek.

As we begin to come to terms with the near-end of the Covid-19 crisis in my part of the world — the San Francisco Bay Area — it begins to seem more possible to simply get up, make decision about a destination, and head out for the day. (I do understand that I’m particularly fortunate to live in a place where vaccination rates are very high.) Probably the most likely subject on my “Hey, I’ll go photograph today!” list is the Pacific Ocean coastline, which I can reach as quickly as a bit more than a half hour.

Objectively speaking, there was nothing all that special or unusual about this May morning. The fog, typical at this time of year, blanketed the coast and slid inland to the tops of coastal hills. As I drove a section of the Pacific Coast Highway north of Santa Cruz the fog began to break up in spots, though few people were there to see it on this weekday morning. After I turned around and started back I passed by this spot and noticed the pile of rocks extending across the beach in front of the shallow bay filled with waves leading to distant sea stacks and bluffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boulder and Cascade

Boulder and Cascade
A subalpine brook cascades over rocks and past a small boulder.

Boulder and Cascade. © Copyright 2021 G Dan Mitchell – all rights reserved.

A subalpine brook cascades over rocks and past a small boulder.

No landscape photographer I know is quite able to completely resist the lure of photographing moving water cascading over rocks. I can imagine quite a few reasons for this. The miniature landscapes in Sierra creeks like this one hold an infinity of potential compositions. Unlike so much of the landscape, the water is in constant motion, to the point that one almost needs to make many exposures to get it just right. There are interesting technical questions to resolve, including just how much blur is the right amount.

Beyond all of that photographic stuff, these streams are just fun places to spend some time. Many years ago I still took fishing gear into the backcountry. I stopped once I realized that I didn’t need the excuse of fishing in order to justify time spend wandering up and down these creeks, with their attractions of wildflowers, green plants, and the constant sound of moving water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspen Leaves Cluster

Autumn Aspen Leaves Cluster
A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Autumn Aspen Leaves Cluster. © Copyright 2020 G Dan Mitchell – all rights reserved.

A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Here it is — finally — what I expect to be my final photograph from this year’s autumn aspen color in the Eastern Sierra Nevada. Like many of the others, I made this photograph while wandering about in a little grove that happened to be showing exceptional color this year. To some extent that color was because my timing was just about right, but it also seemed like a more colorful year than usual, with more of the red and orange leaves that I usually see.

When I’m in the field I often line up a sequence of potential photographic opportunities to explore as the light evolves. I might start with a subject that will work in pre-dawn light, then move to one that focuses on the first light of sunrise, and then be ready to photograph things that work in the light that arrives a bit later. That’s what happened with these leaves. The light on a major landscape subject that I was photographing had mostly run its course a half hour or so after sunrise, so I moved to this grove which was still in the shadow of a nearby hill. That light was perfect for making close up photographs of leaves, since the soft light reveals details in everything from shadows to highlights.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.