Tag Archives: curving

Detail, Duomo of Orvieto

Detail, Duomo of Orvieto
“Detail, Duomo of Orvieto” — Detail of a twisting column from the facade of the Duomo of Orvieto, Italy.

As per the common pattern, the hilltop town of Orvieto Italy has a large “duomo” on a central square. As is also typical, the facade of this church is packed with remarkable visual features — statuary, columns and arches, and fascinating details like this twisting column. Much of it is high enough that it can only be seen at a distance, but this bit is right for eye-level viewing.

You can read about these places and look at pictures of them for years (as I, a late-in-life traveler, did) and not really understand the effect of their physical reality. In particular, if you imagine them in the times when they were first created you start to understand how astonishing and even magical they must have been (and still are). It is remarkable that those who produced a structure that depends so much on massive scale for its effect also had the energy to attend to such tiny details with so much precision.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Street, Arezzo, Italy

We stopped in Arezzo for two nights, during our 2023 visit to Italy (and other places). We decided to stay in some smaller towns for a few days between visits to Florence and Siena. The idea was to see a bit of Italy that is less intensely devoted to tourism, and to have somef down time between the big cities. (Since we were on the road for ten weeks, that down time was welcomed!)

We understand that Arezzo is not on most people’s Italian tour map, but we enjoyed our visit. During walks in the city we visited a lovely park at the upper end of the town near their cathedral, from which we could view the beautiful surrounding countryside. We wandered the town’s narrow and curving streets, enjoying its slower pace and relative lack of crowds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Street, Rain

Part of what I love about Italy is that many cities’ central areas are so old that they were laid out before motor vehicles existed. Consequently streets are quite narrow — in some cases only wide enough for pedestrians. The entrances to homes and businesses are right on the streets — no “front lawn, and no fences. These streets usually don’t follow a geometric grid design, instead radiating from a central square or following the contours of the landscape.

The old, central part of Arezzo, Italy includes areas that follow this formula — though there are also newer streets that are wide enough for some vehicle traffic. We wandered streets like this one on a rainy afternoon, when the showers made the cobblestones glisten.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Creosote and Curving Dunes

Creosote and Curving Dunes
Curving sand dunes rise beyond a few scattered creosote plants.

Creosote and Curving Dunes. © Copyright 2022 G Dan Mitchell.

Curving sand dunes rise beyond a few scattered creosote plants.

Well, this is becoming a bit ridiculous. More than once I thought I was at the end of this year’s Death Valley photographs. More than once I’ve been wrong, and a deeper dive into the files produced more images that seemed worthy of sharing. It appears that I’ve been wrong yet again! There’s this photograph, and I still see a few more that will get post-processing love in the near future.

We made a late afternoon visit to these dunes at the end of March. I felt that we’d need about an hour or an hour-and-a-half to photograph them leading up to sunset. The light looked promising in the afternoon and even as we arrived, but soon a thick bank of high clouds developed in the west. By “golden hour” the light was impaired by this development, though there were moments when the sun lined up with thinner clouds and the light took on a bit of a directional quality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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