Tag Archives: dark

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clouds at Last Light – Badwater Basin and Panamint Range

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Clouds at Last Light - Badwater Basin and Panamint Range
Clouds at Last Light - Badwater Basin and Panamint Range

Clouds at Last Light – Badwater Basin and Panamint Range. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.

In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)

I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures

keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Clouds, Badwater Basin Panorama

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Dusk Clouds, Badwater Basin Panorama
Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.

This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.

As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.

keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flats Near Badwater, Evening

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Salt Flats Near Badwater, Evening
Salt Flats Near Badwater, Evening

Salt Flats Near Badwater, Evening. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white vertical format photograph of evening on the salt flats of Badwater Basin, Death Valley National Park, California.

Yes, I’m still mining the Death Valley photographs from my late March trip. And there are more to come… :-)

This photograph was made in evening light on the salt flats of Badwater Basin, not far from the “official” Badwater area – but far enough away that there were only a couple other photographers out here enjoying the solitude and the beautiful evening light. A few weeks earlier this area had been flooded by unusually heavy rains in Death Valley. From all appearances (and from photographic evidence that I’ve seen) the photographers who were first on the scene had to do a bit of wading to get out onto the salt flats. Some of them were rewarded for their efforts with wonderful and unusual images, including reflections of the Panamint range in the circular pools between the polygons of raised salt.

By the time I arrived the area was no longer flooded, though it was clear that the playa beneath the drying salt crust was still wet. In places some of the water appeared in cracks and in other spots walking on the salt felt a lot like walking on winter pond ice. During the flooding, the usually tall ridges between the salt “polygons” seem to have dissolved. Typically they are perhaps up to a few inches tall and contain large cracks. At the time I arrived, the counter had apparently been set back to zero – and the salt surface was almost completely flat, though it is obvious that the polygon outlines were still visible and beginning to rise a bit. The vertical ridge leading away from the camera position in the lower portion of the frame is a good example.

I went with black and white in this rendition since the sky had not really lit up yet – in other words, color wasn’t necessarily the main feature of the scene. I also liked what I could do with the clouded sky and the distant ridge in black and white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 35mm
ISO 100, f/16, 1/25 second

keywords: salt, flat, polygon, pattern, landscape, nature, geology, hills, mountains, sky, dark, clouds, evening, dusk, sunset, haze, atmosphere, light, shadow, badwater, basin, death valley, national, park, california, usa, north america, travel, scenic, black and white, monochrome, texture, curve, stock

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man in Suit Between Two Cars

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Man in Suit Between Two Cars
Man in Suit Between Two Cars

Man in Suit Between Two Cars. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

keywords: man, between, two, cars, sedan, street, curb, park, suit, hill, slant, incline, door, frame, gate, window, balcony, latter, awning, sidewalk, urban, city, downtown, bag, wrought, iron, worn, grafitti, reflection, brick, wall, urban, san francisco, california, usa, north america, travel, person, tenderloin, stock, dark, black suit