Tag Archives: dark

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Clouds, Badwater Basin Panorama

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Dusk Clouds, Badwater Basin Panorama
Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.

This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.

As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.

keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flats Near Badwater, Evening

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Salt Flats Near Badwater, Evening
Salt Flats Near Badwater, Evening

Salt Flats Near Badwater, Evening. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white vertical format photograph of evening on the salt flats of Badwater Basin, Death Valley National Park, California.

Yes, I’m still mining the Death Valley photographs from my late March trip. And there are more to come… :-)

This photograph was made in evening light on the salt flats of Badwater Basin, not far from the “official” Badwater area – but far enough away that there were only a couple other photographers out here enjoying the solitude and the beautiful evening light. A few weeks earlier this area had been flooded by unusually heavy rains in Death Valley. From all appearances (and from photographic evidence that I’ve seen) the photographers who were first on the scene had to do a bit of wading to get out onto the salt flats. Some of them were rewarded for their efforts with wonderful and unusual images, including reflections of the Panamint range in the circular pools between the polygons of raised salt.

By the time I arrived the area was no longer flooded, though it was clear that the playa beneath the drying salt crust was still wet. In places some of the water appeared in cracks and in other spots walking on the salt felt a lot like walking on winter pond ice. During the flooding, the usually tall ridges between the salt “polygons” seem to have dissolved. Typically they are perhaps up to a few inches tall and contain large cracks. At the time I arrived, the counter had apparently been set back to zero – and the salt surface was almost completely flat, though it is obvious that the polygon outlines were still visible and beginning to rise a bit. The vertical ridge leading away from the camera position in the lower portion of the frame is a good example.

I went with black and white in this rendition since the sky had not really lit up yet – in other words, color wasn’t necessarily the main feature of the scene. I also liked what I could do with the clouded sky and the distant ridge in black and white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 35mm
ISO 100, f/16, 1/25 second

keywords: salt, flat, polygon, pattern, landscape, nature, geology, hills, mountains, sky, dark, clouds, evening, dusk, sunset, haze, atmosphere, light, shadow, badwater, basin, death valley, national, park, california, usa, north america, travel, scenic, black and white, monochrome, texture, curve, stock

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man in Suit Between Two Cars

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Man in Suit Between Two Cars
Man in Suit Between Two Cars

Man in Suit Between Two Cars. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

keywords: man, between, two, cars, sedan, street, curb, park, suit, hill, slant, incline, door, frame, gate, window, balcony, latter, awning, sidewalk, urban, city, downtown, bag, wrought, iron, worn, grafitti, reflection, brick, wall, urban, san francisco, california, usa, north america, travel, person, tenderloin, stock, dark, black suit

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Powerplant, Railroad Avenue – Mare Island Naval Shipyard

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Powerplant, Railroad Avenue - Mare Island Naval Shipyard
Powerplant, Railroad Avenue - Mare Island Naval Shipyard

Powerplant, Railroad Avenue – Mare Island Naval Shipyard. Mare Island, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.

This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.

I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.

Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!

Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.

(More of my Mare Island photographs)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 90 seconds

keywords: powerplant, building, structure, railroad, avenue, street, track, asphalt, sky, dark, night, photography, star, trail, color, light, yellow, red, blue, smoke, stack, cyclone, fence, brick, glow, panorama, panocturnes, minsy, san francisco bay area, window, antenna, vallejo, california, usa, north america, mare, island, naval, shipyard, stock