Tag Archives: dark

Man in Suit Between Two Cars

Man in Suit Between Two Cars
Man in Suit Between Two Cars

Man in Suit Between Two Cars. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

keywords: man, between, two, cars, sedan, street, curb, park, suit, hill, slant, incline, door, frame, gate, window, balcony, latter, awning, sidewalk, urban, city, downtown, bag, wrought, iron, worn, grafitti, reflection, brick, wall, urban, san francisco, california, usa, north america, travel, person, tenderloin, stock, dark, black suit

Powerplant, Railroad Avenue – Mare Island Naval Shipyard

Powerplant, Railroad Avenue - Mare Island Naval Shipyard
Powerplant, Railroad Avenue - Mare Island Naval Shipyard

Powerplant, Railroad Avenue – Mare Island Naval Shipyard. Mare Island, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.

This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.

I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.

Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!

Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.

(More of my Mare Island photographs)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 90 seconds

keywords: powerplant, building, structure, railroad, avenue, street, track, asphalt, sky, dark, night, photography, star, trail, color, light, yellow, red, blue, smoke, stack, cyclone, fence, brick, glow, panorama, panocturnes, minsy, san francisco bay area, window, antenna, vallejo, california, usa, north america, mare, island, naval, shipyard, stock

Man Walking, Rain – Getty Center

Man Walking, Rain - Getty Center
“Man Walking, Rain – Getty Center” — Black and white photograph of a man walking at the Getty Center on a rainy and foggy day.

This is another photograph from my late-December visit to the Getty in Los Angeles. To recap… it rained. And it was foggy. Both of which I like. While I love the art at this museum, I’m also a big fan of the architecture — and it is also a fine place to photograph people.

I found this spot with many vertical forms of columns, windows and so forth along with their reflections on the rain-dampened sidewalk/floor. I found a composition I liked… and then I waited as individuals and groups of people crossed this space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Window at End of Hallway, Getty Center

Window at End of Hallway, Getty Center
Window at End of Hallway, Getty Center

Window at End of Hallway, Getty Center. Los Angeles, California. December 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A window at the end of a dark hallway looks out on rain and fog at the Getty Center, Los Angeles, California.

Escaping the rain and fog briefly, I wandered down a side hallway in the main rotunda at the Getty and saw this window at the end, with diffused light on the outside walkway, columns, fence, and other structures and blank fog and rain beyond. I like the contrast between the symmetry of the windows and the asymmetrical shapes outside, the converging perspective lines, the way the relatively brighter light on the outside structures goes almost completely white, and the reflected light in the interior walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.