Tag Archives: dense

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Old Stump, Redwood Forest

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Old Stump, Redwood Forest
An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

Old Stump, Redwood Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

The coast redwood forest can seem almost static — it is a place of quiet stillness, populated with many very, very old trees. On quiet days the only motion comes from an occasional bird and continuous slight movements of the air. But it is actually a place of continuous transition, as a scene like this reminds me. In the left foreground is a young tree that is extending toward the canopy to find light, but in the middle is a very old and worn stump of a long-gone redwood. And, of course, around the base of the trunk is a carpet of annual plants.

I photographed this on a slow walk through a section of redwood forest one morning when fog was intermittently moving in and out — one moment there would be a bit of sun and shortly after fog would move through the trees. I wanted to make a photograph that contained the complexity of this place and which caught the highlights of light on the edge of the trunk, so I waited for the light to intensify a bit before making the exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Grove, Humboldt Redwoods

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Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Fog and Reeds

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Fog and Reeds
Dense winter tule fog, tule islands, and a wetland pond.

Fog and Reeds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dense winter tule fog, tule islands, and a wetland pond.

From time to time I like to do visual experiments, seeing how minimal the content of the image can be and still work. Sometimes these photograph balance on an edge between portrayal of the real and pure color and form. I feel that images like this can portray or evoke the mood of a subject, even if they don’t include much detail at all. The idea is to suggest more than to tell.

The winter tule fogs of California’s Central Valley often do a fine job of minimizing landscape details. (They also do a fine job of minimizing the details of the roads I drive to get there, but I digress…) These shallow fog layers settle in during the winter and can be some of the thickest fogs you’ll ever encounter. Oddly, because they are so shallow, sometimes your vision straight upwards is barely impeded at all — and as I made this photograph the nearly-full moon was clearly visible overhead. But the view out into the landscape was radically limited, hardly extending more than a few tens of feet and muting details of closer subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Clearing the Channel

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Clearing the Channel
Equipment poised to clear a channel in agricultural land, Central Valley.

Clearing the Channel. © Copyright 2013 G Dan Mitchell – all rights reserved.

Equipment poised to clear a channel in agricultural land, Central Valley.

As I queue up this photograph for posting in the next week or two at the website, it seems oddly appropriate that I’m sharing a winter photograph on the final day before autumn begins. My photographic interests evolve seasonally, and I’m usually thinking a season or two into the future. These Central Valley landscape, along with the migratory birds that visit them each year, become my focus in the late autumn and winter.

Aside from the current — and deeply concerning — climate changes, there are variations from year to year. In the Central Valley they might be seen in the onset of the first rain, the overall humidity of a season, and whether or not there is enough rain to leave flood pools in the lowlands. There were back in this year, and I made this photograph on a very foggy morning, when I came across a piece of equipment staged to clear out one of the flooding channels in an agricultural region of the valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.