Tag Archives: distant

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

Shoreline, Mono Lake

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Shoreline, Mono Lake
A hazy summer morning along the shareline of Mono Lake.

Shoreline, Mono Lake. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy summer morning along the shareline of Mono Lake.

Perhaps you see a few of my photographs and read the accompanying text… in which case you may already know my Mono Lake story: I’m attracted to the immense space and profound quite and stillness of the place, more so than specific features such as tufa towers. Perhaps because I’ve been to those popular features many times, I now tend to poke around in somewhat more obscure places or try to see other aspects of the lake and its surrounding basin.

I made this photograph on a clear sky day when haze — perhaps from wildfires? — was obscuring distant features on the far side of Mono Basin. With the light come from above and beyond those far ranges the atmosphere was luminous and seemed to almost glow. Winds were creating patterns on the surface of the lake. I included some of the near shore, too, perhaps to more clearly show the immense size of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dusk, From Boulder Mountain

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Dusk, From Boulder Mountain
A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

Dusk, From Boulder Mountain. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

This photograph marks a step in my process of learning about the remarkable landscape of southern Utah. I’ve written previous about how I managed to miss photographing Utah for a long time — it is a long story having to do with Sierra obsessions and family travels though less visually stimulating portions of Utah when I was very young. My first real photographic visit was in the early 2000s in the springtime… and I was taken by this landscape. On our way across the state we passed through the Boulder Mountain area, and I made a mental note to try to revisit this area’s extensive aspen groves in the fall.

A few years later we went back in autumn, on a long trip that started in the Eastern Sierra, crossed empty areas of Nevada, and arrived in Southeast Utah… where I discovered that fall colors arrive earlier there than in the Sierra. When we eventually worked our way across Boulder Mountain it was clear that we were catching the tail end of the aspen colors, and many groves were already bare. At dusk we found a location where lines of still-colorful trees alternated with bare trunks. Among the photographs I made was this one, looking toward the last light on the Capitol Reef area and higher mountains beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: People In Landscape, Photographs: Travel

Spring On The Plain

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Spring On The Plain
A lone horseback rider heads onto a California plain filled with spring wildflowers and backed by distant snow topped peaks.

Spring On The Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A lone horseback rider heads onto a California plain filled with spring wildflowers and backed by distant snow topped peaks.

Continuing today with the bittersweet 2020 theme that is a combination of “wish I could be here” and “at least I can take a virtual trip,” here is a photograph from Spring back in 2019, when I was out and about and making photographs in several beautiful areas of California. (In truth, my current situation is much better than that of many other people — I don’t have that much to complain about — so let’s focus on the positive here!)

I had spent part of a couple of days exploring and photographing this area as I passed through on my way to a California desert location. Most of the time was spent making pure nature photographs, but I couldn’t resist taking advantage of a serendipitous moment when a group of horseback riders wandered into the foreground of this grand vista of flower-covered plain and distant snow-capped mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dune Waves

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Dune Waves
Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park

Dune Waves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park.

As photographers, we often take a great deal of photographic license in our creative interpretations of subjects. It is a myth, quite frankly, that some kind of objectively “pure” version of a photograph even exists. And if such a thing did exist, it seems like it would usually be a pretty boring thing for everyone except those using photographs as evidence of a thing. Most of us prefer photographs as a mode of expression, a sharing of the photographer’s way of seeing the world. I like to think that a good photograph or group of photographs tells us more about the person making the images than it tells us about the putative subject.

Sand dune landscapes lend themselves especially well to this way to this approach. While they do have a real geological appeal, when you look at them from an aesthetic perspective they are perhaps less about the fact of sand and more about light, line, weight, form, and color. They are never the same — the light changes, the conditions alter them, and each of us sees them differently. In this interpretation I decided to work in high-key and monochrome, hopefully creating a photograph that reflects the quiet stillness of the static wave forms of the dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.