Tag Archives: door

Photographs: Europe, Photographs: Portugal, Photographs: Travel

Grapevine and Door, Provesende

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Grapevine and Door, Provesende
“Grapevine and Door, Provesende” — A volunteer grapevine grows against an old wall next to a doorway, Provesende, Portugal.

Our May week-long walk in the hills above Portugal’s Douro River Valley began in the small town of Pinhão — with a rather stiff climb from the river up into those hills at Provesende. (We used Portugal Green Walks to organize the trip, and I give them a lot of credit for designing the trek to start with a short, steep day… and conclude the trip at a place with a stunning view overlooking the Douro.)

Provesende was one of many charming small towns we passed through on the walk. Most are quiet places, with old buildings and narrow streets, and surrounded by vineyards. If I recall correctly, this scene was part of a small rural building on the edge of town. The textures and colors of the old building attracted my attention, as did the solitary, opportunistic grapevine growing from a crack at the base of the wall.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Alfama Steps

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Alfama Steps
“Alfama Steps” — Cobblestone steps wind between buildings in the Alfama, Lisbon.

We wandered quite a bit during our May visit to Lisbon this year. (This was part of a 6-week trip that took us to Portugal, Spain, Belgium, and New York City.) When I write “wandered,” I mean this quite literally — we frequently head out with only the vaguest idea of what we’ll explore. In this case, we knew we were headed to the Alfama district, but beyond that we would wing it.

The Alfama is full of narrow, twisty, and often steep streets — just the sort of place to wander slowly. Roughly speaking we first crossed a section of the lower reaches of the district, and then we turned and began climbing. Along the way, we took many detours. If a side street looked interesting we went that way. I made this photograph in a quiet, out of the way area, where steps led uphill between the closely-spaced buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Alfama Street Art

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Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Bicycles and Red Door

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Bicycles and Red Door, Montpellier, France
“Bicycles and Red Door” — Parked bicycles in front of a hotel with a red door and a flowering bush, Montpellier.

What is it about bicycles? They turn up as photographic subjects all the time, on their own and as characters in street photography. (One for my favorite photographs by Henri Cartier-Bresson features a bicycle.) It probably has something to do with things they represent or are associated with: a slower pace, the sensations of wind as you ride, closer contact with our surroundings. That is all preamble to this “bicycle photo” of mine, made on a street in Montpellier, France.

If I recall correctly, this may have been our last morning in this charming city before we left France and moved on to Zaragoza, Spain. While the title mentions the bicycles and they are prominent in the frame, I think that photograph is more about the lovely, soft light and the colors of the red door and the fascinating green plant growing next to it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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