Tag Archives: doors

Balconies, Ribeira

Balconies, Ribeira
Complex patterns of balconies, doors, windows and walls in the Ribeira District, Porto.

Balconies, Ribeira. © Copyright 2023 G Dan Mitchell.

Complex patterns of balconies, doors, windows and walls in the Ribeira District, Porto.

This little scene comes from the Ribeira District of Porto, Portugal. This very old area is on the steep slopes leading down to the banks of the Duoro River, which passes through the city and has long been a route for shipping. Because it is in this steep area and because it is very old, the narrow and twisting streets can be difficult to navigate… but also extremely intriguing, despite the number of tourists who flock to the area these days.

This vignette includes the balconies of some buildings that I first spotted at the end of a (rare!) straight section of a narrow walkway. (I have another photograph showing that perspective.) The scene is full of little details, and it is illuminated by the soft, reflected light that manages to make it to the bottom of this urban canyon — something that reminded me a bit of photographing in the red rock canyons of Utah.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Accept Or Join The Fight

Accept Or Join
A wall with graffiti and politcal slogans at night in San Sebastian, Spain

Accept Or Join The Fight. © Copyright 2023 G Dan Mitchell.

A wall with graffiti and politcal slogans at night in San Sebastian, Spain

This photograph is from Donostia San Sebastián, Spain — made during a nighttime walk through a lively district of popular bars, pintxos places, and more. (We are now great fans of the pintxos scene.) Having said that, this particular spot obviously wasn’t the most lively, being in a small square mostly lacking such businesses, but having plenty of interesting forms, lighting, colors and textures.

Back home I often avoid including graffiti in my urban photographs, but here it was hard to avoid and it seemed like an aspect of the place. I think that it was the light, colors, and forms that initially caught my attention, and it wasn’t until we got home and I began to work on these photographs that I looked up a translation of the Basque language slogan on the left door: “Accept what is there or join the fight.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Storefront, Two Men

Storefront, Two Men
Two men at a Manhattan storefront as a Columbus Day parade passes by.

Storefront, Two Men. © Copyright 2022 G Dan Mitchell.

Two men at a Manhattan storefront as a Columbus Day parade passes by.

Switching gears again today, this is another photograph from our October East Coast visit. The trip was primarily to photograph autumn color in New England, but we managed to spend a couple of nights in Manhattan before our homeward flight. Our visit coincided with what New York still refers to as the “Columbus Day Parade,” though the more modern designation is apparently also along the lines of Italian Heritage Day. (One bizarrely noteworthy moment was seeing Rudy Giuliani yucking it up at the front of one of the floats, but I digress…) We wandered around the periphery of the parade route, where the onlookers were in many cases more fascinating than the parade itself.

I made this photograph using one of my “blind shooting” techniques. There are lots of different thoughts about how street photographers should (or should not) interact with their subjects, and I think they all have some validity. Here I did not want the subjects to be distracted by me, so I held the camera in front of me as I walked by and made a couple of exposures without look directly at the two men. I think it paid off. I feel like there are a number of ways to try to make sense of what is going on in the scene and what it might imply, but I’ll leave it to viewers to figure this out.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Colorful Buildings

Colorful Buildings
The boundary between two colorfully painted San Francisco buildings.

Colorful Buildings. © Copyright 2022 G Dan Mitchell.

The boundary between two colorfully painted San Francisco buildings.

These two buildings appeared in another recent photograph, also shot straight on and focusing on the fascinating geometry and color scheme of the structure. The location is, broadly speaking, near North Beach and Fisherman’s Wharf, on a less-travelled side street. The architecture is within the typical San Francisco model — multi-story residences packed wall-to-wall, right up against the sidewalks.

The colors, of course, caught my attention. But there are a few other things going on that also fascinate me. For one, there’s a sort of dissonance between the extremely regular and geometric features of the two residences… and the odd lack of alignment between things like the two windows, the lower edge of the windows in the doors, and the garage door on the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.