Tag Archives: dusk

Clay and Grant, Night

Clay and Grant, Night
People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

Clay and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

This was a beautiful San Francisco afternoon and evening. I rendezvoused with some photographer friends in the late afternoon, and after a group dinner we headed out onto the San Francisco streets eventually winding our way into the Chinatown area around dusk. Fog was coming in, turning the ambient light a beautiful blue color, and street and business lights were coming on and producing contrasting warmer toned light.

In these situations photography is a combination of keeping my eyes open and responding intuitively and of watching for potential compositions and subjects and then waiting for the right characters to populate the scene. Certain places are more likely prospects: narrow streets with electrical light coming from both sides, storefronts, and corners. At the latter people often have to stop and wait for traffic to clear or to figure out where to go next, and they sometimes assemble into interesting compositions and stay there for more than an instant. Here, if I recall correctly, my first attraction to the scene was towards the glowing light in this corner market. I quickly noticed the line of people spread across the scene from left to right, and for an instant the man standing in light at the center of the frame looked up and somewhat toward the camera, and against a backdrop of mostly hidden faces his appearance jumped out at me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Lake, Wind, Dusk

Alpine Lake, Wind, Dusk
Evening wind on the surface of an alpine lake at dusk

Alpine Lake, Wind, Dusk. Sequoia National Park, California. August 10, 2008 © Copyright 2008 G Dan Mitchell – all rights reserved.

Evening wind on the surface of an alpine lake at dusk

When we reached this lake we were approaching the end of a long trans-Sierra hike on the High Sierra Trail. We had crossed the Kaweahs, descending into the Kern River canyon, ascending to the John Muir Trail and headed south, with the eventual goal being the summit of Mount Whitney and the end of our trip at Whitney Portal at the eastern base of the Sierra.

This little alpine lake is the traditional base camp for hikers heading to the summit of Mount Whitney from the west, a group that includes a number of people nearing the end of the southbound John Muir Trail hikes. It can be a crowded place, with many backpackers (sometimes too many) setting up marginal camps in tiny flat spots among the boulders. In the evening I left my group to wander and do a bit of photography, and as the light faded I lengthened my exposures and allowed the wind to blur the surface of the lake a bit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.