Sunset light illuminates tall columns of the Standard Hotel along the High Line Elevated Park in Chelsea, New York City.
This is another photograph from our Friday evening walk along the High Line Elevated Park in Chelsea. We walked under the Standard Hotel, which straddles the park at this point, just as the warm and saturated pre-sunset light was peaking. Given the quality of the light and the beautiful evening, I was surprised that there were no people on the other side of the plexiglas wall – there were certainly plenty of us enjoying the evening along the walkway of the park.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Sunset virga drops rain above the summit of Mount Dana and is reflected in a quiet pool of the Tuolumne River.
Earlier on this day I had been caught out without raingear, two hours out from the trailhead on the Sierra crest at Mono Pass, as the thunderstorms began. Apparently a change in the weather pattern had sneaked in without me noticing, and what started as a completely clear morning turned into an afternoon of thundershowers and quite a bit of rain in the Tuolumne region.
For a photographer, this can be good news. All too often, Sierra weather can be what seems like an interminable string of boring, perfect blue sky days. A bit of weather is often a lot more interesting.
Since it had rained all afternoon, I thought there might be a chance of interesting sunset colors if the clouds over the crest stuck around and the clouds to the west cleared enough to allow the light of the setting sun to shine in unimpeded. You almost never know for certain when it comes to these conditions – the best you can do is recognize when they might happen, and then be there to do your work if it happens. You’ll either get some great sunset color… or you’ll be left standing there wondering what happened.
Back in early June I had scouted this location that placed the group of three trees to the right of Lembert dome and placed a quiet pool of the Tuolumne River in the foreground. At that time, while I liked to the potential of the location, there was no interesting light and I did not even go back on that trip to photograph there – I just filed it away in my memory as something to try should I be there when sunset clouds were just right. So when I thought I saw “sunset potential” on this night, I more or less made a bee-line to this spot. I set up my gear, made a composition (and a few variations on it) and waited to see what would happen. Not only did the colors turn on just before sunset, but at that exact time a single cloud dropping virga (rain that doesn’t reach the ground) appeared above Mount Dana, the distant and highest peak in the photograph.
Evening light on snow-covered Mounts Dana and Gibbs reflected on the surface of the flooding Tuolumne River, Tuolumne Meadows.
Tioga Pass opened this year on June 5, a bit later than usual. The late opening was due to a slightly greater than average amount of precipitation this past winter and a cold and wet May. As a consequence, there was a lot of snow on opening day, and lots and lots of run-off water.
I made this photograph in the evening in Tuolumne Meadows as the late light was just leaving the tops of the trees below Lembert Dome and beginning to color the summits of Mounts Dana and Gibbs with warm “golden hour” light. The Tuolumne River was so full that it had flooded large sections of the meadow – parts looked more like “Tuolumne Lake” than Tuolumne Meadow. Because the meadow was still covered with snow, the surface of the flooded areas was full of ice and slush. The overall appearance was closer to that of a winter scene, even though the calendar said early June.
Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.
In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)
I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures
keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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