Tag Archives: early

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Towers, Early Evening

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Sandstone Towers, Early Evening
“Sandstone Towers, Early Evening” — Sandstone towers and desert terrain, Arches National Park

I made this photograph within minutes of entering Arches National Park for the very first time. I have written before that this was my very first time photographing in Utah – yes, embarrassing, but true! The downside of this is that I now really wish that I had taken the time to travel here much earlier. But the upside is that I had the rare experience of encountering a completely new and, for me, unanticipated landscape for the first time.

Before departing for Utah – where we visited a veritable smorgasbord of locations – I had done almost no research beyond figuring out where the nearest lodging was. In fact, even once we were in the state I was still figuring out how to get from one location to another. There are perhaps several reasons for this approach, but one was that I do not necessarily want to go to a new place with overly strong ideas about what I should photograph nor about how I should photograph it. I prefer to get there, look around, try to get the “feeling” of the place, and begin making the photographs that I see. We arrived in Moab late in the day and checked into a motel. There was still some light left so we figured we should go somewhere… and Arches is very close! So the decision was made, and off we went. By the time we reached the Park Avenue area not far from the entrance I was stunned by what I was seeking. (It helped that we arrived at the beginning of “golden hour,” but I digress…) There were huge sandstone walls, thin fins of rock, tall towers, some with boulders perched on top – this seemed about as close to an “impossible landscape” as any I have seen. Frankly, it was overwhelming. We passed Park Avenue and drove ahead a bit to where the view opened up to this astonishing panorama, at which point we pulled out and I began making photographs, including this one that includes towers and fins backlit by the late afternoon light under thin clouds.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

The Watchman and the Virgin River, Morning

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The Watchman and the Virgin River, Morning - The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.
The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The Watchman and the Virgin River, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The peak in the upper portion of this photograph, The Watchman, with the curve of the Virgin River in the foreground is, as I understand it, one of the iconic photographic subjects of Zion National Park – perhaps being roughly equivalent to a photograph of Yosemite’s Half Dome from the Sentinel Bridge in The Valley. The funny thing, though, is that while I had seen this view of this subject many times in the photographs of others, I actually had no idea where it was or that I would see it when I visited Zion National Park earlier this month. I had somewhat intentionally avoided doing any real research about the places I would photograph, preferring instead to just confront them for what they are, unaffected as much as possible by previous notions about what I “should” photograph.

So, as we rode the shuttle bus into the park from the town of Springdale in the afternoon and crossed a bridge over the Virgin River before heading up into the canyon, I looked to my right and thought, “Oh, it is that view!” I have heard the stories and have seen the pictures of hordes of photographers lined up on this bridge, specifically to shoot this scene with fall colors and at sunset. (You can see a couple of examples by photographer and friend Gary Crabbe here.) I generally don’t seek out the icons, though I most certainly will photograph them if a) I haven’t photographed them before and/or b) there is something unusual or different about the conditions when I’m there. Although I did not stop and get off the bus to photograph the scene on that first evening, in the back of my mind I considered stopping if it looked interesting the next morning. And, in fact, as we took the shuttle back into the park very early the next morning – starting before sunrise, actually – it seemed like it might be worth hopping off after the bridge and taking a look. I was more encourage when we got there, both by the interesting soft dawn light and the lack of any other photographers on the bridge. So, there you go – I now have a photograph of the Watchman and the Virgin River, too! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Spring Cottonwood and Sandstone Cliff

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Spring Cottonwood and Sandstone Cliff - A cottonwood tree with early spring leaves stands in front of a sandstone cliff, Zion National Park, Utah
A cottonwood tree with early spring leaves stands in front of a sandstone cliff, Zion National Park, Utah

Spring Cottonwood and Sandstone Cliff. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cottonwood tree with early spring leaves stands in front of a sandstone cliff, Zion National Park, Utah.

This was my first visit to Zion National Park – believe it or not – and I had been thinking about photographing cottonwood trees against red sandstone cliffs well before we arrived. We got there in the afternoon, checked in to our lodgings, and soon went up into the main canyon on the shuttle and then hiked up toward the Narrows from there.

It was a special and unusual experience for me to be photographing in an entirely new place, and to have very little idea of the geography of the Zion at all – I had almost intentionally avoided researching ahead of time, preferring to take it for what it was when I arrived. I was so naive that when we passed over a bridge and I looked downstream I thought, “Oh, that is the Watchman.” (For those who don’t know, the photograph of the Watchman Tower above the Virgin River, photographed from the bridge that crosses the river just inside the park is, roughly speaking, the Zion equivalent of photographing Half Dome from Sentinel Bridge in Yosemite.) We kept going, staring up at the beautiful sandstone towers and walls as the shuttle travelled up the canyon to the very end at the Temple of Sinawava, where we got off and started to walk. The walls in this very area are beautiful, and my progress up the trail was very slow as I stopped to gawk and photograph all of these wonderful new subjects, including this almost bare tree with its first spring growth. against the backdrop of the sandstone cliffs.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Panamint Range to the Amargosa Range, Dawn

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Panamint Range to the Amargosa Range, Dawn - Dawn light on the Amargosa Range and lower ridges of the Panamint Range, Death Valley National Park.
Dawn light on the Amargosa Range and lower ridges of the Panamint Range, Death Valley National Park.

Panamint Range to the Amargosa Range, Dawn. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light on the Amargosa Range and lower ridges of the Panamint Range, Death Valley National Park.

This is another photograph from an early morning winter venture high into the Panamint Range in Death Valley National Park during the first week of the year. While the desert can be a rather drab place during most of the day, in the right conditions the colors can be nearly psychedelic for a few moments near the ends of the day – and this was one of those mornings for sure.

While many might wish for perfect, clear, haze-free atmosphere, it was the presence of some rather hazy conditions that created the wild atmospheric conditions as the sun came up on this morning. Light simply passed through clear air, but it illuminates hazy air and can make it glow. At this moment the sun had just risen and the light was nearly horizontal as it passed across the immense gulf of Death Valley to light the nearby lower ridge of the Panamint Range and the much more distant upper peaks of the Amargosa Range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.