Detail photograph of patterns of barren hills and gullies at Zabriskie Point, Death Valley National Park, California.
From my series of detail photographs of smaller elements of the landscape at Zabriskie, and another one shot during atypical times of day – in this case in very bright afternoon sunshine. Because of these lighting conditions – color, intensity, and angle, the quality of the image is less “dreamy” than the typical early morning soft-light photographs of this area. Here you see more clearly the rough texture of the material making up the folds and gullies of these interesting hills that drop into Gower Gulch.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/50 second
keywords: zabriskie, point, detail, hills, gullies, barren, dry, earth, dirt, afternoon, light, diagonal, forms, abstract, geology, nature, landscape, patterns, death valley, national park, scenic, travel, california, usa, north america, stock, eroded
A small dry wash runs past folded patterns of eroded hills in morning light at Zabriskie Point, Death Valley National Park, California.
This is another in my “up close and personal” sequence of photographs of details of the geology at Zabriskie Point. Zabriskie is undeniably an incredibly beautiful spot, but after photographing “the view” a number of times my attention was drawn to some of the smaller details of the surrounding terrain. While I’ll still shoot the famous view(s) from this location when conditions are special, I now spend more time using a long lens to pick out small elements of the scene – and there are a lot of them to work with!
On this morning the light was, at times, very special. When I made this photograph the typical sidelight from the early sun was diffused and filtered by some high clouds in the east, and this soft light is different than what I’ve seen here before – it seems to me to have a subtle glow.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 150mm
ISO 200, f/14, 1/40 second
keywords: zabriskie, point, gower, gulch, wash, folds, eroded, hills, formations, crack, earth, desert, barren, morning, light, sand, gravel, tan, brown, death valley, national, park, california, usa, north america, detail, landscape, nature, stock, geology, scenic, travel, dry, hill, gully
Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.
The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.
Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)
In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.
Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second
keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock
A “moving rock” beneath overcast morning skies at the Racetrack Playa, Death Valley.
First a bit of background about “the Racetrack,” the location of the famous “moving rocks” in Death Valley National Park. About 25 miles out in the desert back-country of the park on a very bad gravel road there is an isolated and desolate playa known as “the Racetrack.” (For those considering a visit, getting to the Racetrack is no trivial matter. The drive takes nearly two hours one-way and the road is awful, with some of the worst wash-board surface I’ve ever encountered. There are absolutely no services along the road or at the Racetrack – no water is available and your cell phone won’t work.) The name of the place comes, in some circuitous way, from the mysterious rocks that have clearly traveled across the playa, sometimes many hundreds of yards, and left tracks gouged into the playa surface. The most likely explanation for the phenomenon involves a combination of a periodically flooded playa, extremely high winds, and rare occasions when it is cold enough to freeze the surface of collected water, locking the rocks in place and allowing the wind to move them. I’ve never heard anything concrete about the frequency of this alignment of conditions, but as far as I know no one has ever observed the rocks actually moving, nor is there any indication that they have moved recently.
I’ve been out there three times in the past, and had great conditions for doing photography. On this visit I had plans to photograph in sunset and sunrise light and to attempt night photography of the rocks under the full moon. (I did the latter once before, but was less familiar than I am now with how to best do this with a DSLR.) Since I’ve had such good luck with weather and lighting conditions in the past, I suppose I was due for less than optimum conditions… and that is what I encountered. Shortly after arriving at the playa the sky was covered by high, thin clouds. Except for a brief moment close to sunset this made late day photography difficult. The overcast stuck around until I left then next morning, making the planned full moon night photography an impossibility, and the morning light was also challenging.
That said, I’m still glad I went. Standing in the middle of this empty playa completely alone as the day ends or begins is an amazing experience that few people get to have. And I did manage to bring back a few photographs that I think will “work.” This one was shot fairly early in the morning at what might have been around sunrise, if a sunrise had actually occurred.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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