Tag Archives: evening

Cranes and Geese, Sunset, Reflecting Pond

Cranes and Geese, Sunset, Reflecting Pond
Cranes and Geese, Sunset, Reflecting Pond

Cranes and Geese, Sunset, Reflecting Pond. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cranes fly through evening sky above geese in a San Joaquin Valley pond.

I made this photograph on New Year’s Day 2014. Two years ago it seemed like a good idea to begin the new year by greeting its first dawn in the San Joaquin Valley, and sharing the experience with thousands of migratory birds and a few like-minded friends. Getting there was a stretch this year – late the previous night I had arrived home from a week in New York City, and getting up four hours later to drive two hours in the dark was going to be a challenge. But I made it and after photographing through the morning I thought that I might just head home. In the early afternoon we broke off from the photography and went to nearby town to grab something to eat, and by the time we were done it was only an hour or less until the evening “show” would begin back in the wetlands, so I shelved by early departure plans and headed back into the field.

I’m glad I did. It turned out to be a very beautiful evening, with many thousands of birds and with an unexpectedly beautiful sky. Often when it seems a bit gray and “blah” in the late afternoon, the evening light can end up illuminating this thick atmosphere, turning it both colorful and near-transparent. That is what happened here as I was photographing a large group of Ross’s geese that had settled in on the wetlands near this small tree. As the light diminished, I hoped for a fly-in of the sandhill cranes, which can be one of the most magical moments of any day in this area. Unlike the geese, which tend toward raucous and unpredictable behavior, the sandhill cranes seem to show up in large groups right at dusk, mostly gliding smoothly above the ponds as they head for their landing spots.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beyond the Golden Gate

Beyond the Golden Gate
Beyond the Golden Gate

Beyond the Golden Gate. Marin Headlands, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Pacific Ocean and western horizon outside the Golden Gate

A day trip to San Francisco began with a plan to see the David Hockney exhibition at the De Young Museum – important since the show was in its last few days. After spending several hours at this wonderful show, we came up with a vague plan to go somewhere and perhaps photograph something before dark. With a bit less than two hours to go and no more plan than that to go on, we crossed the Golden Gate Bridge to the north and were distracted by the idea of an espresso stop. By now there wasn’t a lot of time left before sunset, so we simply reversed course and headed back toward the bridge, where we did the “usual thing” and headed up into the Marin Headlands.

This is probably one of the very most popular area tourist destinations in the evening, since these hills north of the Golden Gate provide a classic and romantic view through the Golden Gate Bridge and back toward San Francisco – at least when it isn’t foggy. Since I know this area well, and in all kinds of conditions, at this point I was thinking more about simply enjoying the evening than about making photographs, and when we found a place to stop and park I left my camera equipment in the car. I looked toward The City and decided that I wasn’t going to photograph it… but as I looked to the west I saw some things that did seem a bit more interesting. At first I focused on the silhouette of more westerly cliffs as they dropped down to meet the Pacific. Then, after the sun had set, I decide to go ahead and just photograph the immense surface of the Pacific Ocean, reflecting sky colors and fading into the haze at the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marin Headlands, Winter Evening

Marin Headlands, Winter Evening
Marin Headlands, Winter Evening

Marin Headlands, Winter Evening. San Francisco Bay Area, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands

How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)

We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dune Forms, Evening

Dune Forms, Evening
Dune Forms, Evening

Dune Forms, Evening. Death Valley National Park, California. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Shadows from evening light slanting across curved dune forms, Death Valley National Park

Having photographed here many times, I know these and other dunes of Death Valley fairly well – well enough at this point to have some ideas about where and when to photograph them and to be less interested in the more familiar views. I had spent the majority of the day, starting well before sunrise, exploring and photographing an entirely different area of the park, but as I did so I had formed a general plan to head to the dunes at the end of the day and photograph them in evening light. I had a bit of time after finishing with the first subject, so I headed back to camp to hang out a bit.

I may have hung out just a bit too long! My plans for the dunes were not exactly fixed, though I knew that I wanted to investigate a less visited area of lower dunes away from the main area and that I wanted to be out there shortly before sunset – to shoot the sunset light and then to continue shooting right on past sunset and into the beautiful and subtle dusk light. By the time I got to the dunes, I figured out that the winter sun sets a bit earlier than I had realized, and I had to hurry out to my shooting area. Although I did not have a specific idea of what I would shoot, I had some general ideas involving slanting light, shadows, curving shapes, texture of sand, and possibly some vegetation. But once on the scene I had to work extremely quickly, as the long shadows of the low angle sun moved quickly across the sand, and a new composite of light and shadow would appear only to move and then disappear in a matter of seconds or perhaps a minute or two. Within moments of making this photograph, the last warm sun on the dunes was gone, and I was left with the cold post-sunset light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.