Tag Archives: evening

Sierra Crest, Blue Hour

“Sierra Crest, Blue Hour” — Evening lenticular clouds over the Sierra crest and the Tuolumne River.

This is a reinterpretation of an old photograph, one that has long been a favorite but which I’m now looking at differently. Several issues surround the question of whether, when, and how to revise a photograph that you once considered definitive. The most obvious change is the aspect ratio — it formerly used the ubiquitous 4:3 ratio, but now I think it works better with this semi-panoramic presentation. (The old version lost the far right ridge and trees.) I’ve also rethought how I handle the blue tones — when I originally did the photograph I was shy about “going with the blue,” but more recently I’ve embraced it.

All of that background aside, this is a favorite photograph for a bunch of reasons. This was an incredible afternoon and evening of sky and light, and this was one of the final photographs of that day, made in the fading blue hour light. It still astonishes me that perhaps thousands of people were clustered around their campfires in a nearby campground, likely oblivious to this scene, as I stood in solitude along the bank of the river watching the show.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Lenticular Clouds, Alpenglow Reflections

Lenticular Clouds, Alpenglow Reflections
“Lenticular Clouds, Alpenglow Reflections” — Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Clearing Storm, Evening

Clearing Storm, Evening
Summer thunder storm clouds clear at sunset above the Sierra Nevada crest, Yosemite National Park.

Clearing Storm, Evening. © Copyright 2022 G Dan Mitchell.

Summer thunder storm clouds clear at sunset above the Sierra Nevada crest, Yosemite National Park.

Photographic prospects seem to be distributed across a sort of bell curve. Most of the time the opportunities are fine and interesting, and it is possible to make decent photographs from what you find. Occasionally I find myself at one of the sharp ends of the curve. When at the end where nothing much seems to be happening, I remind myself that I’m storing up karma for those moments when the opposite happens. And if you are out there enough, these unbelievable moments will happen from time to time — and they are enough to keep you coming back.

This was a truly memorable evening that provided an embarrassment of visual riches. Soon after this trip, I came up with a series of four photographs in landscape orientation that traced the astonishing evolution of the light from late afternoon through dusk. Four seemed like plenty at the time, so I left the rest behind — some of which would normally have been keepers. This is one of those, made when I briefly shifted the camera to portrait orientation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Clearing Storm, Sierra Crest

Clearing Storm, Sierra Crest
A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

Clearing Storm, Sierra Crest. © Copyright 2022 G Dan Mitchell.

A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

This photograph comes from an early-season trip across the Sierra crest a few years ago. It must have been quite a day. The first photographs from the set were in springtime Yosemite Valley. By the end of the day I had crossed Tioga Pass and headed out to the east of the range and into high desert near Mono Lake, the location from which I made this photograph late in the afternoon.

If only I kept a diary of these things! My hunch is that this was my “first trip of the season” across recently-cleared passes, on which I often take stock of the conditions at the beginning of a new summer season. From the looks of the clouds hugging the crest along the eastern Yosemite boundary, winter had not yet quite let go. There was still a decent amount of snow, clouds draped the crest, and it looks like there is some active precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.