Tag Archives: face

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Oak, Laurel, and Granite

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Oak, Laurel, and Granite
Oak, Laurel, and Granite

Oak, Laurel, and Granite. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

An oak tree and a laurel tree grow next to a granite face along the north side of Yosemite Valley, California.

I have visited this small, gnarled oak tree before. It grows right at the base of a granite face along the north side of Yosemite Valley, seems to face a pretty rugged life living beneath the shadow of the cliff and among fallen boulders. When I visited in early May the tree was just starting to get its new growth of leaves, though the laurel tree right next to it was already quite green.

The last time I photographed this tree it was autumn, and the leaves were also colorful then. It seems a bit odd that the leaves of this oak take on similar yellow and red colors at both the start and end of their season. (Though they do go more toward brown than yellow in the fall.)

The light was interesting on this day, which had started out clear. As the day wore on a weak Pacific weather front approached, and by evening things were pretty well socked in. But here, at perhaps 4:00 or 4:30, if I recall correctly, the incoming clouds were thing and broken enough to just soften the light without turning it completely gray.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Young Tree and Granite Wall

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Young Tree and Granite Wall
Young Tree and Granite Wall

Young Tree and Granite Wall. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

A young tree grows against a granite wall along the north side of Yosemite Valley.

This tree (and its nearby oak partner) and I have become good friends over the past few years. I first photographed it in the fall some years back, though the oak made a better shot at that time given its fall color leaves. But every time I walk along a certain area under the cliffs on the north side of Yosemite Valley I check in here to see what the light is doing.

During the first weekend of May I was in the Valley for photography and to visit the reception for Michael Frye’s exhibit at the Ansel Adams Galley. After spending an enjoyable hour and a half or so viewing Michael’s prints and meeting and talking with a wonderful group of photographers and photography enthusiasts at the Gallery I left to go wander a bit and make some photographs. When I came to this spot, clouds were starting to appear in the late afternoon sky above the Valley. This is a kind of ideal light since these conditions soften but don’t completely destroy the sunlight, and diffused light gets down into the forest and fills out the shadows.

I love the texture of these huge blocks of flat granite, covered with lichen. I like the visual quality of this rock, but I also like the physical quality of it; this probably dates back to a time some years ago when I was a rock climber for a few years. So while the tree seems like the main subject here, the rock surface is for me just as important.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Post-Sunset Glow, Amargosa Range

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Post-Sunset Glow, Amargosa Range
Post-Sunset Glow, Amargosa Range

Post-Sunset Glow, Amargosa Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Post-sunset light from bright red clouds casts a reddish glow on the Amargosa Range, Death Valley Buttes, and the Kit Fox Hills.

I think this might be the second in what I could call the “impossible color” series from my late-March trip to Death Valley. (The previous image was a photograph of a wash/alluvial fan at the base of Tucki Mountain, photographed on the same evening.) The lurid and unreal colors are not the result of post-processing gone horribly wrong – the light was actually this color for a short period. The sun had already gone down behind the Cottonwood Mountains to the west of my shooting location in the middle of Death Valley not far from Stovepipe Wells. It had been an interesting sunset with the usual increase in warm colors and some attractive clouds in the sky.

What happened next was something that is probably familiar to those who have done a lot of landscape photography, though they recognize that it is not something that you can quite predict. After the sun had set and dusk was coming on, some final light from far to the west, where the sun had probably already dropped just below the horizon, began to strike high clouds above Death Valley. (I could sort of see this coming, since I had noticed increasing color in the sky further to the east.) As this happened, these clouds began to glow with an intense red color that was mixed with the normal bluish tones of dusk light and surface features took on this purple/red glow for just a brief moment before the light faded.

(Those who look very carefully may notice that the sky above and to the east of the mountains is a lot bluer than the mountains themselves. The color had already left the sky to the east, and at this point was coming from the sky directly overhead and to my west.)

I’m still trying to sort out the complex geology of this area and the ways that features are named. The larger range containing these peaks is called the Amargosa Range, though it encompasses many smaller named sub-ranges – I think these might be part of the Grapevine Mountains, roughly in the neighborhood of Thimble and Corkscrew Peaks. A dark peak in front of the main range at the very far right may be part of Death Valley Buttes, and the banded foreground hills are sometimes called the “Kit Fox Hills.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Lower Slopes of Tucki Mountain, Dawn

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Lower Slopes of Tucki Mountain, Dawn
Lower Slopes of Tucki Mountain, Dawn

Lower Slopes of Tucki Mountain, Dawn. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the faces and gullies of the lower slopes of Tucki Mountain, Death Valley National Park.

On the final morning of my recent (March, 2011) visit to Death Valley I decided to go to a spot not far from my campsite at Stovepipe Wells where I know of a bit of raised terrain that provides large-scale views of big chunks of this part of the Valley. I arrived before dawn and lugged my gear to the top of this rise with the primary plan of using a long lens to photograph across the Mesquite Dunes toward the Cottonwood Mountains at sunrise.

However, when standing in a spot like this one there are so many interesting effects of light all around that it is impossible, for me anyway, to just shoot that one thing. Far up the Valley to the north light starts to hit the highest peaks of several mountain ranges, to the east the light comes through and illuminates morning haze and layers of low hills, and to the southwest of my position the light began to reach the top of Tucki Mountain. So, between photographs of my intended subject to the west, I swung the camera though the entire 360 degrees to photograph many of these other subjects.

Tucki Mountain has fascinated me since I “discovered” it one morning while shooting on the “back side” of the Mesquite Dunes. At dawn I had been photographing the low dunes and other features on the side of the dunes that cannot be seen from the usual roadside viewpoints. As the light changed I worked my way up into the dunes a bit to photograph the shapes and textures of the sand, and I saw a composition that included this massive mountain to the south with it dark and jagged features. It was only later that I found out that it was Tucki Mountain. (If you have visited Stovepipe Wells, you have been right below the mountain.) It is a huge, sprawling peak – almost more of its own small range than a simple peak, or so it seems to me.

On this morning I first saw a big of the deep red first dawn light hitting the top of the peak and noticed lower ridges starting to pick up traces of this light. I swung that tripod head around to point this direction and decided to tightly frame some images of the overlapping ridges and valleys ascending toward the peak as the light worked its way down toward the Valley floor.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.