Tag Archives: feed

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast, Photographs: Wildlife

Sandpipers and Surf

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Sandpipers and Surf
A flock of sandpipers feeds at the edge of the surf, coastal California.

Sandpipers and Surf. © Copyright 2022 G Dan Mitchell.

A flock of sandpipers feeds at the edge of the surf, coastal California.

Sometimes conditions work out just right and surprise me with an unexpected photographic opportunity. This was one of those times. I had been photographing a distant subject in wonderful light — unusual colors, haze, and some high clouds. I looked down at the beach directly below me, perhaps 15 feet away, and noticed fascinating patterns of sand textures, water draining back into the surf, and soft reflections of the cloudy sky. Without warning, a flock of sandpipers landed at the water’s edge. The scene may look quiet and still, but photographing it was anything but!

The photograph is (yet another) reminder that while preparation and adaptability are important, so much in landscape photography is entirely outside our control. While we have the ability to see and make choices about what we do with “it,” we do not determine the underlying conditions. And while I’m thinking about it, here’s hoping that you find plenty of “it” moments in 2023!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Fog

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Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Avocet, Sunset Reflection

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Avocet, Sunset Reflection
An avocet feeds in shallow water reflecting sunset light

Avocet, Sunset Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

An avocet feeds in shallow water reflecting sunset light

I remember, many years ago, taking a college class that included a section on birds in the San Francisco Bay Area. The birding gene didn’t initially take for me — that came many years later — but I remember what must have been a very effective presentation on differences among shore birds. The birds found along the edges of bodies of water vary greatly in size and shape, from very small to quite large, and their leg and bill sizes vary, too. What I recall is the obvious point, that I hadn’t thought of before, that each bird, with its long or short legs and its long or short bill, is adapted to a different niche in this environment, and even to differing depths of water.

The avocet is a striking bird in many ways. This one, like most that I’ve seen, was an almost solitary specimen. If another was nearby I did not see it. The bird has long legs, which it puts to use by wading in a few inches of water as it feeds. The long, curved beak allows it to reach down and pluck edibles out of the water. This one was feeding close to the shoreline and moving toward water that reflects the sunset sky, so I held still and waited for it to move into just the right position, where the colors of reflected sky were most strongly reflected in the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Black Necked Stilt Feeding

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Black Necked Stilt Feeding
Black Necked Stilt Feeding

Black Necked Stilt Feeding. San Joaquin Valley, California. February 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A black necked stilt feeds in a San Joaquin Valley wetland marsh

Something that quickly becomes apparent when you are around a variety of birds, especially those that live in and around water, is the tremendous range of specific adaptations they have made in order to be successful in rather narrow ecological niches. I first recall seeing this when I was much younger and someone, probably a middle school science teacher, pointed out that birds along the San Francisco Bay shoreline often were distributed in water of varying depths that suited the lengths of their beaks and legs. The same sort of thing is visible in these California Central Valley wetlands, where some birds are adapted to dry land, others to hunting in the brush, and others to success in varying depths of water.

The black-necked stilt is a very attractive bird, with its striking white and black plumage, its thin beak, and its tremendously long red legs. It is also a highly adapted bird — those long legs and back let it forage in slightly deeper water. Most often I see them in somewhat shallower water than seen here, where the bird’s legs are visible above the water line. But this one was making maximum good use of its long legs, which are just long enough to keep it out of the water as it feeds. A moment after I made this photograph the bird took off.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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