Tag Archives: fence

Pipes, Tank, and Cyclone Fence Shadows

Pipes, Tank, and Cyclone Fence Shadows
Pipes, Tank, and Cyclone Fence Shadows

Pipes, Tank, and Cyclone Fence Shadows. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white night photorgraph of pipes, a tank, and cyclone fence shadows falling across a brick wall at the Mare Island Naval Ship Yard.

This past weekend I had a chance to join my friends from The Nocturnes for an introduction to night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. The Nocturnes schedule events at this wonderful and rich location several times each year, and I have done night photography there many times in the past. Many of the photographers at this particular event were experimenting with “the dark side” for the first time, so I decided to go both to do a bit of my own shooting and to help Tim Baskerville answer questions from some of the first-timers.

This bit of industrial “stuff” is in a location I have shot many, many times. It is in an alley next to what is now the Mare Island Historic Museum, and it traditionally the first place that many MINSY night photographers start their evening of night photography. Since I’ve shot quite a few of the standard subjects at Mare Island, I had in mind a few slightly different subjects and different approaches in mind this time. One was to focus specifically on shadows as a compositional element and another was to look for some of the smaller details of the place in addition to shooting the very interesting larger structures that so often get my attention.

So, after shooting nearby structure with shadows angling across the alley, I thought that I’d see what I could do with this odd bit of old pipes and a tank against a brick wall, and illuminated by nearby sodium vapor lamps shining through a cyclone fence. I liked the shiny texture of the pipes and their shapes as they radiated from the central tank, along with the shapes of both the very dark and large shadows and the net of fainter shadows thrown over the whole scene by the fence.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Grazing Cattle and Aspen Groves, Conway Summit

Grazing Cattle and Aspen Groves, Conway Summit
Grazing Cattle and Aspen Groves, Conway Summit

Grazing Cattle and Aspen Groves, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Cattle graze in front of large aspen groves near Conway Summit, California.

Just about anyone who has every photographed aspens in the area around Lee Vining is probably familiar with this location – and I’ve certainly shot there quite a few times. From highway 395 the aspens extend west and up toward the peaks of the Sierra crest, and the at the right hour in the late afternoon the backlight can light up the leaves of the trees. When I visited this time the trees were in transition with some still green, others very colorful, and some almost leafless already. I was also lucky to have some clouds at the end of several cloudless days of photography. (Normal people like perfect blue sky, but photographers are not normal – we tend to like weather!) When I saw the clouds starting to form above the crest early in the afternoon I thought that something interesting might happen later near Conway so I made a point of heading that direction.

This photograph features, of all things, cattle – not my usual subject, perhaps! The area where these aspens grow seems to be at least as much a pasture as it is aspen groves, and I’ve seen cattle grazing in this spot before. (See comments for a note from a member of the family that owns the land.) As the clouds created shadows over the higher slopes in the background, for a moment the sun still hit the foreground trees and these cattle.

This shot also ties in with my recent post on using various focal lengths for landscape photography, in that this photograph was made with what some might regard as an unlikely landscape lens, a 100-400mm zoom! But in this case, this lens at 250mm was just what I needed to more tightly frame the bit of foreground pasture and sunlit trees and compress the distance between them and the shadowed hills beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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10th Avenue Between 19th and 20th Streets, Chelsea

10th Avenue Between 19th and 20th Streets, Chelsea
10th Avenue Between 19th and 20th Streets, Chelsea

10th Avenue Between 19th and 20th Streets, Chelsea. New York, New York. August 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.

A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Brick Walls and Building Near High Line Park

Brick Walls and Building Near High Line Park
Brick Walls and Building Near High Line Park

Brick Walls and Building Near High Line Park. New York, New York. August 14,2010. © Copyright G Dan Mitchell – all rights reserved.

Brick walls and a building under construction above the High Line Elevated Park, New York City.

Another bit of architecture photographed from the High Line Elevated Park in Chelsea on a summer evening in August. The most interesting features of this evening included the “mackerel sky” clouds to the west, which are reflected in the windows of the upper building, and the warm light of early evening. The juxtapositions of angles and textures (especially the bricks and the glass windows) got my attention as we walked along the High Line. I cannot identify the building, but it appears to be under construction.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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