Two walkers pass a flowering dogwood tree in Central Park.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Walkers pass through an area of lawns and large spring trees in Central Park, Manhattan.
This photograph — almost certainly the last from my end-of-March visit to Manhattan — has been sitting in the queue for weeks as I’ve shared others. I made it during a brief bit of lovely spring sun at the end of a long weekend of nearly constant rain. In part, I scheduled this New York visit when I did because I had been told that “New York is beautiful in spring.” (We almost always visit in December or August, arguably among the worst months!) Until this final morning, when the sun came out for a few hours, I wasn’t so sure about that “beautiful spring” claim.
I stayed a few blocks from the lower end of Central Park, so even on the rainy days I joined the throngs of New Yorkers and fellow visitors for walks in the park. I’ll admit that it was a beautiful and moody place in the rainy weather — but not very comfortable! After three days of rain, this morning was extra beautiful.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.
Who says that all landscapes must be natural landscapes? No one, actually, though there is a long tradition (starting way before photography existed) of depicting the landscape inclusive of the human presence: small figures, structures, bridges and roads, ships, and so on. Although I usually categorize my photographs in various ways (if for no other reason than searching is easier), this series cuts across a few of the usual categories.
It was a rainy morning among a series of rainy spring days in Manhattan, and many of us were anxious enough to get out and enjoy New York’s “spring” that we went out even as rain threatened. At times the rain was heavy but mostly it just sprinkled steadily, as it was when I made this photograph, with people standing on the banks of the pond and clouds shrouding the upper stories of Manhattan buildings.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A pedestrian walks past a police officer standing in the sun.
If you have been following along recently, you may recognize the return of a familiar character in this photograph, the police officer leaning against the sunny wall. This fellow was fascinating, though I don’t know quite what to make of what I observed. Most of the officers working this Manhattan parade were close to the crowd, moving about, and engaged. But this fellow did not move from this sunny spot while I was there. Several passers-by stopped and chatted him up, and it almost seemed like he knew them. But aside from that he mostly just leaned against the sun-warmed wall.
The other fellow was approaching from the right, and part of what originally caught my attention was the color of his jacket — which you’ll have to guess at, since it is now a monochrome photograph! Initially I thought that a photograph of just him would have been my preference, but I ended up liking the juxtaposition of his form with that of the cop. Beyond that you could probably read a whole range of stories and meanings into this one. Or not.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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