Tag Archives: grass

Metal Walled Building With Door, Tree and Lawn, Night

Metal Walled Building With Door, Tree and Lawn, Night
Metal Walled Building With Door, Tree and Lawn, Night

Metal Walled Building With Door, Tree and Lawn, Night. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of a metal walled building with a door, sidewalk, lawn, and tree – Mare Island Naval Ship Yard.

This is a bit of a different sort of night photograph compared to the others I have posted in this recent series. (Most of those were shot at some distance from my subjects – generally old, historic buildings – and in very saturated and colorful light.) Near the end of my evening shoot at Mare Island in late February I was walking back from a dark and lonely corner of the place when I passed a more modern facility, an out-patient clinic of some sort. This facility is something of a stark contrast to the surrounding area. The building is relatively new and the walls are not the usual brick and/or corrugated metal, but instead are a more modern-looking sort of metal paneling. There is landscaping, including small patches of lawn and small trees. And the light is completely different. Elsewhere in the darker areas of Mare Island the lighting tends toward yellow, coming from sodium vapor lamps, though it also includes green and occasionally other hues. But here the light is fairly neutral and actually looks almost white. I wasn’t quite sure what to do! :-)

But then it seemed to me that it might be interesting to see what I could do with this modern (though not flawless) structure and its surrounding landscaping. Here a small door, partly blocked by some sort of signs, leads into a very small section of a building and is lit a bit mysteriously from above. Sidewalks lead away from the door and a small, forlorn patch of lawn sits near the corner of the building, with a single leafless tree supported by stakes. When I saw this spot and when I look at the photograph now I get this feeling that there should be some story behind all of this… but I have no idea what it might be.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Brush, Levee

Trees and Brush, Levee
Trees and Brush, Levee

Trees and Brush, Levee. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Weak sunlight breaks through Central Valley tule fog to illuminate trees and brush growing on a levee near the Cosumnes River.

This morning started out with extremely dense Central Valley tule fog – at first so thick that I more or less gave up photographing. But eventually, as usually happens, the upper layers of the fog began to thin, and some light began to filter down through the fog. By late in the morning the fog was thinning enough that very pale sunlight began to show through and softly light the dense vegetation on this levee along the edges of the Cosumnes River. This is an incredibly rich environment in the winter, especially with all of the water from winter rains and the nearby river, and the vegetation grows very thick here.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Pond, Fog

Tree and Pond, Fog
Tree and Pond, Fog

Tree and Pond, Fog. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

A solitary tree and a winter pond on a very foggy Central Valley morning, Cosumnes River Wildlife Preserve.

On my first visit to this wildlife preserve in California’s Central Valley (located between Stockton and Sacramento) I was thinking that I might have a chance to photograph wildlife, namely that incredible number of migrating birds that spend their winters in the rich, wet areas of this part of California. I knew it would be foggy, but I like that. (If you have followed my blog for even a short time you have perhaps seen some of my “barely there” photographs in which most details are nearly entirely obscured by clouds, rain, mist, or fog. )

I was not disappointed by a lack of fog! When I arrived it was so thick that I couldn’t see more than perhaps 100 or 200 feet! The Central Valley fog us tule fog which rises from the wet ground rather than blowing in from somewhere else. (The latter is the type of fog in, say, San Francisco, where it often blows in off the ocean.) Since tule fog starts at ground level, it often is not that thick. On a number of occasions I’ve been driving (slowly!) though terribly thick tule fog in the Central Valley, so thick that it seemed risky to drive at even 25 mph, only to look up and see stars in the sky overhead! On my way past Tracy on this morning, as I entered the fog I noted that it was perhaps only 30-50 feet deep. Because of this, the fog has a special quality that is not found as often in the ocean fog that is more common in the San Francisco Bay Area. The tule fog seems often to me to have a luminous quality that I attribute to the light that comes down from above even in the thickest fog.

That was somewhat the case here. I walked into the slough area across the road from the visitor center at the Preserve, and into an area that is mostly open fields in the summer, but mostly a giant pond in the winter. Everywhere around me I could hear the hundreds or thousands of waterfowl – ducks, geese, and who knows what else, and I later saw egrets and sandhill cranes – but I could see almost nothing. Eventually I could just barely make out his small tree standing on a shallow area where some grasses grew. I wondered if the photograph would have enough contrast to even be usable, but in the end there was just enough detail. (It is hard to see in the small jpg, but it is certainly there in the 12 x 18 test print I made.) At first I thought it would end up being a monochrome photograph, and I spent a lot of time taking it through my workflow with that in mind. But something just wasn’t quite working for me, so I decided to reconsider and try a color rendition. In the print, I think that this ends up looking better in color in several ways. First, the soft blue cast that I thought I’d want to avoid, more strongly evokes for me the feeling of actually being there, especially through that luminous quality of the tule fog light that I mentioned earlier. In addition, I think that some of the very subtle color variations turn out to be important.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Oaks and Hills, Winter Fog

Oaks and Hills, Winter Fog
Oaks and Hills, Winter Fog

Oaks and Hills, Winter Fog. Calero Hills, California. January 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning winter fog clears from the oak forest and grassland of the Calero Hills, California.

This is a sort of scene that seems to me to be a prototypical California view. Almost anywhere you go west of the Sierra and away from either the redwoods or deserts, you won’t be too far from places like this that feature grassland, oak trees, and some sort of vertical relief in the landscape. This area happens to be a short drive from where I live. It is merely a local county park and not a place that most would regard as special. However, because it is so close, I have been able to spend a great deal of time here in all seasons, at all times of the day, and in all sorts of weather conditions. Eventually I found that there is an almost unending supply of potential photographic subjects even in this spot that would certainly not impress most people as being exceptional.

I made this photograph back near the beginning of 2010, and shortly after that a posted an early version here. That version was in a slightly wider format and it was in color. As part of my year-end review of all of my raw files from 2010, I saw this image again in its original form… and this time I saw it a bit differently, in black and white and with a more “traditional” 4:5 ratio format. Contrary to what I though originally, I now think that the narrower format does a more effective job of juxtaposing the stacked angles of close, middle and far ridges, and it also let me eliminate some stuff along the margins that now seems distracting to me.

To the extent that this version of the image works, I think it illustrates something that I’ve heard others say and which resonates with my own experience, namely that it is sometimes easier to “see” what is in a photograph when you get a bit more distance from the act of “capturing” it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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