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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills and Death Valley Buttes, Dusk

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Kit Fox Hills and Death Valley Buttes, Dusk - Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park

Kit Fox Hills and Death Valley Buttes, Dusk. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.

The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.

I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!

This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Hikers, Titus Canyon

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Hikers, Titus Canyon
Hikers, Titus Canyon

Hikers, Titus Canyon. Death Valley, National Park. March 28, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Hikers in Titus Canyon, Death Valley National Park.

There are essentially two ways to get to this portion of Titus Canyon in Death Valley National Park – you can either do a very long drive from near Beatty on gravel roads or you can walk a short distance up from the base of the canyon along the eastern side of Death Valley itself. I’ve done both. The road is quite an experience – in any other park it would probably be regarded as a very special thing, especially the last portion above Death Valley where it twists and turns down a slot canyon that is in places barely wide enough to a vehicle yet so tall that it can be hard to see the tops of the canyon walls. (It is not exactly a bad road, but it isn’t trivial either. There are some very exposed sections where it crosses the mountain ridge and descends past Leadville. Although there are reports of people using lesser vehicles, take seriously the recommendations for reasonably high ground clearance and some from of all-wheel drive.)

However, on this visit I simply parked my car at the base of the canyon, shouldered my camera equipment, and walked up the canyon a ways. There is, of course, much that you probably won’t see if you enter the canyon this way, largely because the road is so long that you won’t likely cover much of it on foot. However, I think that you can more clearly sense the scale of the lower slot canyon when traveling of foot. I included two hikers who happened by to give a sense of that scale to the landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dust Storm, Death Valley

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Dust Storm, Death Valley
Dust Storm, Death Valley

Dust Storm, Death Valley. Death Valley National Park, California. April 3, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

A building dust storm begins to obscure the sky above Death Valley, California.

In retrospect, there were hints that this tremendous dust storm was coming prior to its actual arrival. Very early in the morning I had been photographing at another location and the light and atmosphere were a bit unusual. The dawn and very early morning light was beautifully warm, but the distant peaks were slightly obscured by a sort of atmospheric haze that is hard to describe but which I now recognize as being associated with incoming dust storms. Soon, large and impressive clouds began to appear high in the deep blue sky, but at about the same time the air closer to the bottom of Death Valley started to look increasingly opaque.

I left my early morning shooting location and began my trip home from Death Valley. After a stop at Furnace Creek – to treat myself to a real breakfast after days of camping – I headed north towards Stovepipe Wells. As I headed north I began to see the obvious clouds of blowing dust accumulating along the Grapevine Mountains, and shortly before the turn to Stovepipe I encountered the boundary between the relatively clear air and the murk of the dust storm that was growing directly ahead and off to my left.

Before entering the cloud – I had not choice since my route went that direction – I pulled over within perhaps a quarter-mile of the edge of the storm. Not wanting to risk dust getting into my camera, I unpacked my gear inside the car and decided to just use the lens that was already fitted to the camera. I stepped outside to find that lines of wind-blown dust were already streaming along the ground and that the atmosphere had taken on the strange and electric feel of these storms. Off to my left, the dust was beginning to kick up among some low, dark hills across a nearby wash, while a gap in the dust clouds momentarily left open a window to the bright sky and high clouds above.

Related: See my posts on Photographing Death Valley

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dry Wash, Twenty Mule Team Canyon

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Dry Wash, Twenty Mule Team Canyon
Dry Wash, Twenty Mule Team Canyon

Dry Wash, Twenty Mule Team Canyon. Death Valley National Park, California. April 2. 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A dry wash descends past the barren hills of Twenty Mule Team Canyon in morning shadows, Death Valley National Park.

I made this photograph on an early morning in early April a couple of years ago. I had gone to Death Valley National Park’s Twenty Mule Team Canyon to photograph some folded and eroded patterns in the upper portion of this valley, and a bit after sunrise I noticed a trail heading up a side canyon. I decided to follow it. It started out by ascending the wash shown in the photograph and eventually reached a low saddle along the eroded ridge of between this canyon and the descent to Death Valley itself. When I arrived there, as sometimes happens in Death Valley, I discovered an old vehicle track heading down into the canyon on the other side.

Since I had some other plans for a bit later in the morning, and because I didn’t see anything immediately exciting on the other side of this ridge as the route descended, I instead backtracked into this wash. As my trail crossed the broad area across from this line of hills I looked back toward the main valley and saw this sunlit s-curve in front of the somewhat shaded ridge.

Related: See my extensive posts on Photographing Death Valley

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.