Tag Archives: gully

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Red Rock Gully

April 6, 2011 G Dan Mitchell Leave a comment

A red rock gully and wash in the Panamint Range of Death Valley National Park.

I have driven past this area along the road from Death Valley up to Wildrose Canyon quite a few times, and as I do I always am impressed by the many convoluted little canyons and odd and interesting rock formations. Most often I have been on my way to some other place or the light wasn’t quite right, but I always take a look and make a mental list of little spots to keep an eye on. This particular little canyon is one you might not even notice unless you were looking carefully as you passed it. It is in a narrow section of the lower canyon where it is one of many such little landscapes. On this morning I was coming back down from shooting up higher in the Panamints and I was watching carefully as I drove, frequently pulling over to stop and check things out more carefully. At first I almost drove past this spot, but it looked like the light might be interesting this time so I quickly stopped and backed up and made a series of photographs including this one.

The question of how to frame this scene was an interesting one. As is often the case I cover more than one base and shoot the subject in several ways. Initially I worked with a vertical orientation that includes a bit more of the rough terrain a bit higher in the canyon. That image may still see the light of day! But as I shot the scene I also realized that I could use a horizontal orientation too, more tightly frame the entrance to the small canyon, and give up some of the upper canyon formations.

With many subjects I would prefer softer light, and I would probably try to shoot much earlier in the day or come back in the evening. But this canyon, I think, works well in the light of a bit later in the morning when the sun has topped the ridge and direct light hits the top of the rocks and reflects into the recesses a bit more.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Textures

Zabriskie Point Gully, Morning Light

April 1, 2011 G Dan Mitchell 1 Comment

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Overlapping Gullies – Zabriskie Point

March 23, 2011 G Dan Mitchell 3 Comments

Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.

I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.

With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.

Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Clouds Above the Manifold, Zabriskie Point

December 12, 2010 G Dan Mitchell 9 Comments

Morning clouds fill the sky above the Manifold at Zabriskie Point, Death Valley National Park.

I posted a monochrome version of this photograph yesterday, so there is perhaps a bit less to say about it in this post. To recap briefly, this is a photograph I made over three years ago during a spring visit to Death Valley NPS. This was a bit of a different morning for photographing at Zabriskie Point, if I recall correctly. Usually, photographing here is pretty straightforward – and once you’ve shot it a couple times in “normal” conditions, there is a basic pattern to the progression of light that becomes fairly (though perhaps not totally) clear. Normal conditions here basically mean perfectly clear skies with the sun coming up to the left from the perspective of this photograph or behind in some of the other familiar shots that include Manley Beacon – and light that sequentially illuminates subjects beginning with the highest peaks of the Panamint Range across the Valley and gradually working down into the Valley and finally to the rugged shapes at Zabriskie Point itself.

But clouds can change everything. If I am going to shoot at Zabriskie, I watch for conditions that will bring them. I will generally not stop there if it is “another beautiful clear sunrise” at Zabriskie. (If you haven’t been there before, you should stop and take in this stunning scene, but I’m often looking for something a bit different.) While the results in clear conditions are relatively predictable, they are not at all as predictable when there are clouds. You can end up with something very special… or with a drab, flat, and gray scene. But that’s the thing about special conditions – they wouldn’t be special if they were predictable and frequent!

Thinking back to this morning, my recollection is that it may have been one of those when I arrived to think, “Oh, boy, clouds!” – only to think a bit later, “I wish those clouds would move and give me some light!” I recall some bits of dawn light that were mostly blocked by the clouds. But the very clouds that blocked the hoped-for first dawn light thoughtfully assembled themselves into these impressive forms just a bit later, at right about the time that the warm side-light was getting down into the rugged folds of the Manifold and Gower Wash.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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