Tag Archives: highway

Coastal Lagoon, Burned Hills

Coastal Lagoon, Burned Hills
A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

Coastal Lagoon, Burned Hills. © Copyright 2021 G Dan Mitchell – all rights reserved.

A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

This is a photograph that tells a story, one that may not be immediately apparent. But once you see it you may connect it to a larger story affecting California and the west right now, a story that is beginning to affect the entire planet it concerning ways. It is a photograph of a small lagoon along the Pacific Coast Highway just north of Santa Cruz, California. This is a place I have visited for years — decades, actually — and it is usually a lovely, bucolic landscape. I made the photograph in spring, and even during this very dry year the vegetation is thick and lush and the lagoon remains wet, supporting plant and animal life.

But take a closer look at the ridge in the distance. It belongs to what we loosely refer to as the “Santa Cruz Mountains,” the range lying between the South San Francisco Bay and the Pacific Ocean. The top of the ridge is covered with… the black remnants of a forest that was destroyed in last year’s tremendous lightning-causes wildfires. In places near this location the fire burned almost all the way to the ocean. Fires have always been part of the California environment, but what has happened in the past few years is unsustainable. Due to drought and high temperatures linked to human caused global climate change, the state is incredibly dry and any fire, even the sort that would have been quickly extinguished in the past, can take off and quickly get out of control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Sur, December Sky

Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bridge and Fog

Bridge and Fog
A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Bridge and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Somewhat to my surprise, I have yet another photograph from this December visit to the Big Sur coast. Actually, I should not be surprised to “discover” photographs among files left behind when I originally considered them. For some reason, this is not an uncommon experience at all. (I believe it was Gary Winogrand who waited for a considerable time before even developing his film.) I have some theories. One is that in the days right after making the photograph I have some ideas of what I expect it to be, and the actual image does not always come up to the imagined standard. But given time and some aesthetic distance from the image, its inherent, intrinsic potential starts to emerge on its own.

The subject here is a particular spot that I’ve stopped to photograph many times on my visits to the Big Sur coast. (Hint: It is not the bridge you probably think it is.) I remember thinking on more than one occasion that there was no new way to photograph the scene, only to come upon it in some particular set of conditions that I had not seen before. There are a few different elements in this version. First, the fog was quite special — a combination of low, coast-hugging fog and spray from the surf, with clear sky above that let the light create a backlit glow. Due to the particularities of season and time of day, I was able to point back toward the land and get the bright reflections on the water. The little bit of fence at the left is another new element. Typically when I had photographed here in the past I went to some effort to keep that fence out of the frame — but this time I decided to embrace it as part of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.