Tag Archives: highway

Headlands, Clearing Fog

Headlands, Clearing Fog
“Headlands, Clearing Fog” — Headlands drop precipitously into the Pacific Ocean as fog thins in the distance along rugged the Big Sur Coast.

Although I have visited and photographed the Big Sur Coast for decades, I find new subjects or new ways to see old subjects every time I go. However, I have a confession to make about this particular subject. I go back to it on almost every visit and continue to photograph it despite there being quite a few previous versions in my archives. I think I do this partly because the conditions change (here it is almost backlit and the distant fog is layered), and partly just because I find this feature so intriguing. On a coastline full of steep precipices dropping into the sea, this one stands out.

I was down there again in mid-August. As is often the case, I decide to go based on the weather forecast. This time it called for somewhat persistent fog along the coast, and I was expecting to be able to work with that murky subject. Imagine my surprise, after driving through truly dense fog near the Salinas Valley, when I arrived at the coast to find it virtually clear!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wood and Stones

Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Arch, Bridge, Big Sur Headlands

One more time, this subject from the upper Big Sur coast is one that I shared last week… and last year… and perhaps almost every year before that. Yes, I’ve been stopping to photograph here for years. Each time I tell myself, “OK, you are done with this scene now.” And almost every time I pass that way again I end up stopping. And I frequently find that the atmosphere has changed to present some new way of seeing it.

This visit was on a late-February morning. The surf was large, but not monumental. Yet it was enough to combine with thinning fog to produce a luminous haze along the edge of the water. This haze was gently illuminated by the morning sun rising above the coastal mountains, and its light arrived on the flat headlands at the left just as I arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Pacific Coast Highway, Headlands

This landscape that reminds me that change is the rule. It invites all sorts of questions. How long ago were those sea stacks part of the mainland? How long until the cliff-edge trail I’m slips into the ocean? Where will the next route-closing landslide occur? The dynamism of the landscape is clearly present here.

This time I visited for a few hours on a late-winter morning. The skies were mostly clear along the coast, as is common here between storms, but there was scattered fog and everywhere there was mist, from both the clearing fog and from ocean spray. Early in the morning the sun is blocked by coastal mountains, but as it rises its light angles down among these headlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.