Tag Archives: highway

Fall Aspen Color, Boulder Mountain

Fall Aspen Color, Boulder Mountain
Fall Aspen Color, Boulder Mountain

Fall Aspen Color, Boulder Mountain. Dixie National Forest, Utah. October 6, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Brilliant autumn aspen color on Boulder Mountain, Utah

I produced a lot of photographs in the state of Utah in 2012. Although I had not photographed there before (as astonishing of an omission as that seems!) I think I did a pretty good job of making up for lost time. I made three visits to the state, one in spring and two in the fall, and spent a total of about 35 days on the road to, from, and within Utah. I plan to go back!

On that first spring visit we drove over the shoulder of Boulder Mountain between the Escalante and Torrey areas before the new spring foliage had yet come to the extensive aspen groves found in that area. Being an aspen aficionado I could imagine what these slopes must be like in the fall when the foliage changes, and we made a plan to try to pass by here again in the autumn. Not being completely familiar with the seasonal patterns in this part of the country, we might have been just a bit late for peak Utah color – in general we saw brilliant aspen color in many places, but it had already passed at the higher locations, and we soon learned that the cottonwood color comes a bit later in the month. So when we left the town of Boulder to follow the road up and over the Boulder Mountain area, we had a combination of some brilliantly colorful groves at the lower and perhaps middle elevations and higher groves that had more or less completely dropped their leaves. That is the scene in this photograph, made in early evening light on a day when there were some high clouds – and the shockingly colorful foreground trees are backed by the bare trunks of winter aspens higher up the slopes of the mountain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pacific Ocean, Clearing Storm

Pacific Ocean, Clearing Storm
Pacific Ocean, Clearing Storm

Pacific Ocean, Clearing Storm. Central California Coast. February 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sun breaks through clouds as a storm clears above the Pacific Ocean along the California coast.

On this mid-February day, we did a long looping drive down from the San Francisco Bay Area to the lower end of Big Sur coast and back up along the Coast Highway. It seems that for a good part of the past month or two, my photographic trips have been excellent predictors of awful weather, usually of the gray, flat, and cloudy type. (Fortunately, I’ve seen enough great days that I feel like this is a matter of balance in the universe, and I know that I’ll get my good light days again soon enough.) Although I proclaimed that by going south we would escape the northern California fog that was around that day, by the time we got out to the coast near Piedras Blancas… it was raining! And rain wasn’t even in the weather forecast.

When I encounter such weather or other impediments to photography, I have a series of ways to cope with the situation. I tell myself that I’m “scouting” locations that I’ll come back to in better conditions – and, frankly, this often turns out to be true. Sometimes I might just decide not to focus on photography so much and perhaps try other things. But most often I keep looking, and sometimes I start seeing small things that sort of sneak up on me and are then gone. Looking at this photograph you might imagine a day of glorious light passing through broken clouds to light the ocean. In reality, it was moments of such light, with many moments of gray in between. But when this light does shine though a cloud deck that is thinning and produces reflecting patterns stretching to the horizon, such a moment may make a long day’s drive worth it.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Davenport Bluffs, Sunset

Davenport Bluffs, Sunset
Davenport Bluffs, Sunset

Davenport Bluffs, Sunset. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last light shines on coastal bluffs and Davenport, California

On this early December day I had gone off to try to join a G+ “photowalk” that was purportedly taking place that day. I was looking forward to going to a few favorite local photography locations and to meeting some people who I’ve only known online. But it was not to be! I ended up being delayed at home and couldn’t leave in time to meet the group at their first location, Henry Cowell Park. I went with Plan B and figured I would try to join up with them at lunch in Davenport. I got there and didn’t see anyone, so I figured that I was early and I drove up the coast a bit. I came back to Davenport and thought they might be in one of the two restaurants, so I picked one and went in for lunch… by myself. (I found out later that, yes, they were in the other restaurant a hundred yards south.) After lunch I went across the road to the parking area when I thought folks might meet up, but still no luck – though I did see a few photographers out on the nearby bluff. I headed out there and finally ran into a couple of people from the group… which had gone down to a nearby beach area to shoot.

Finding interesting stuff up here on the bluff, I decide to work the location I found myself in rather than heading off and looking for something else. While the location was interesting, the light was initially unpromising. However, I thought there was a chance that things might improve later so I walked around and began doing some shooting. At one point, I talked to some other photographers about the somewhat bland lighting conditions and pointed out that it seemed to me that there was at least a chance that we might get a bit of interesting light as the sun dropped to the horizon, when the light can sometimes shine in below the clouds and produce some brief but beautiful conditions. This prediction turned out to be right, and I made this photograph just as the show was beginning, and warm-tone light was starting to hit the bluffs, beaches, and water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zion High Country, Evening

Zion High Country, Evening - High country of Zion National Park in evening light
High country of Zion National Park in evening light

Zion High Country, Evening. Zion National Park, Utah. October 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.