Tag Archives: hike

Home Bay, Drakes Estero

Home Bay, Drakes Estero - Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore
Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

Home Bay, Drakes Estero. Point Reyes National Seashore, California. July 21, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore.

This little late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I had driven up to San Francisco, where my wife was to be engaged in a music performance that would take the full afternoon and evening, with the plan being to drop her off and then drive on over the Golden Gate Bridge and out to Point Reyes. Point Reyes is often a cold and windy place, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog or at least see the fog bank lurking just offshore until the evening. With this in mind, it seemed like it might be a good time to either visit the Limantour Beach area or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out on the trail towards Drakes Head, thinking I might be able to make it there for late afternoon light. As soon as I started hiking I began to see the telltale puffs of incoming fog clouds above me, and soon I came around a bend in the trail to see that the fog had already moved in to my west and over Drakes Bay. Fortunately, I like for, and in most cases I would rather photograph in “interesting” weather than in so-called perfect blue sky weather. At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backpacking Photography Season Once Again!

Backpackers, Near Milestone Basin
Backpackers, Near Milestone Basin

Backpackers, Near Milestone Basin. © Copyright 2012 G Dan Mitchell – all rights reserved.

It seems like a good time to once again share my Backpacking Photography Equipment post, since summer is nearly upon us, and many of you will soon be joining me to head into the back-country to make photographs. Some of you  are trying to figure out the best balances of gear, weight, bulk, and complexity for doing photography on the trail using the trial and error (trail and error? trail of terror?) approach. Few years back I thought it might be helpful to share “my own backpacking equipment” list along with some ideas about how to select and use it.

The article is here: My Backpacking Photographing Equipment.

Enjoy! And see you on the trail!

A little more about the photograph included in this post… The two backpackers are my long-time “trail buddies,” Owen and Caroline, with whom I’ve spent many weeks on the trail in the High Sierra. On this trip we visited a lonely and less-visited area in the Upper Kern River drainage. The night before we had camped in a place where it was almost possible to convince oneself that no one else had been there before – a truly rare and cherished Sierra experience. The next morning we descended a drainage that passed through beautiful rock-garden meadows filled with tumbling streams. As the two of them crossed this meadow I quickly dropped my pack and made a couple of handheld shots.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Trillium Blossoms

Two Trillium Blossoms - Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California
Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California

Two Trillium Blossoms. Golden Gate National Recreation Area, California. March 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.

It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)

I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tenaya Lake, January 2012

Tenaya Lake, January 2012 - Skaters and walkers on frozen Tenaya Lake, accessible via the still-open Tioga Pass Road on January 16, 2012.
Skaters and walkers on frozen Tenaya Lake, accessible via the still-open Tioga Pass Road on January 16, 2012.

Tenaya Lake, January 2012. Yosemite National Park, California. January 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Skaters and walkers on frozen Tenaya Lake, accessible via the still-open Tioga Pass Road on January 16, 2012.

I have been meaning to post this photograph since I made it last month, on January 16, 2012. The serious California drought (or so it seems) of 2012 created very unusual conditions in the Sierra this winter. The Tioga Pass Road (highway 120) through Yosemite National Park usually closes by some time in November, and has been known to close as early as October. The early season this year made it appear that we might have a normal or even heavier than normal winter – early storms near the beginning of October brought a lot of snow to the range and temporarily closed the road more than once. But by December it became clear that this was not going to be a normal year at all, and by the end of the month there was almost no snow anywhere in the range.

A week before this visit I had crossed and re-crossed the pass on a trip to Death Valley. While I appreciated the convenience and shorter drive, I found the odd conditions unnerving. Aside from a few patches here and there, I saw no snow at all, though the seasonal cold had frozen the high country lakes. A week later it looked like a storm or two might finally arrive, so we decided to make the trip up to the Tuolumne area to see the high country in a state that we probably (hopefully!) won’t see again. During the week before this visit, local news stations around California had made this story well known, and they almost all mentioned that people were visiting Tenaya Lake. And, indeed, there were tons of people at the lake when we arrived. There were about as many cars as you might see on an August afternoon. People were clustered along the frozen edge of the lake, were walking along its borders, even setting up tables for picnics on the ice. A few people thought to bring ice skates and they were skating great distances. (Fortunately for us, most people went no farther than Tenaya, and the crowds decreased rapidly after that point.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.