Tag Archives: ice

Autumn Leaves and Frost

Autumn Leaves and Frost
“Autumn Leaves and Frost” — Fallen autumn leaves, covered by frost, on a cold fall morning in the Sierra Nevada.

These fallen, frost-covered leaves were so interesting that I took a significant break from photographing trees to focus on them. They lay in a shaded strip along the edge of a gravel back-country road high in the Eastern Sierra. (I wonder what the other aspen hunters who drove past must have thought when they saw me ignoring the big trees and pointing my lens down at the ground!)

The photograph is a reminder to me — one that I frequently experience — that sometimes the thing you came to photograph is not the only subject worthy of attention. It is important to look away from that and see what else is around. Look away from the “big” and toward the small, turn around and see what is behind you.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Balcony Bridge, Winter

Photo of Balcony Bridge, Central Park, in winter snow.
“Balcony Bridge, Winter” — A winter scene at Balcony Bridge in Central Park, Manhattan

I have photographed and walked across Balcony Bridge in Central Park frequently. It is near the edge of “The Lake” in a popular area of the park, and in warm weather it is common to see lots of people pausing on the bridge to enjoy the view and take pictures. But it had a very different feeling on this cold and snowy winter day.

It only snowed for a few hours on the late-December morning, but it was enough to cover the ground with an inch or two of white, transforming the appearance of the park. The snow and the mostly-barren trees presented a starker landscape, one that reminded me of some well-known Bruegel winter paintings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Winter Reflections, Central Park

Lake edge with ice and reflections.
“Winter Reflections, Central Park” — Trees reflected in a strip of water at the edge of a frozen lake, Central Park.

I photographed this little scene on a cold morning walk through New York’s Central Park this past December. We were fortunate to have light snow one morning, and that changed the appearance of the city and the park. It had already been cold enough to freeze most of The Lake’s surface, but the light snowfall covered imperfections. In this spot fallen leaves rested on new ice and the reflected the silhouettes of nearby trees.

The concepts of “nature” (and even of “wilderness”) are complex and, I think, not entirely fixed. Sometimes we accept the notion that these things mean “devoid of evidence of humans.” But there’s a problem with that idea — it suggests that humans are independent of the natural world. Finding the natural world in places like this — even if you can perhaps hear car horns in the distance — is a reminder that nature is everywhere and we are a part of it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Rock and Ice

Rock and Ice
“Rock and Ice” — A permanent ice field and rugged alpine terrain in the Sierra Nevada.

This is a classic example of alpine Sierra Nevada terrain. At the very bottom is a bit of alpine meadow, located right at the upper edge of the local tree line. Above that we see large expanses of glaciated granite with rounded and smoothed forms that are now cracked and broken by erosion. Still higher, a permanent ice field (one of a diminishing number of them) nestles in a bowl eroded by its glacial ancestor. The ice field sits at the base of very steep and rugged slopes that rise to unseen peaks.

One result of spending a lot of time in the higher reaches of the Sierra Nevada is that it is easy to forget how exotic such landscapes look to those who don’t visit them. To them, this terrain might seem forbidding and out of reach. But the reality is that once you reach this elevation, the land opens up and you can go almost anywhere without trails, limited only by your imagination and you ability to find routes and navigate.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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