Tag Archives: inside

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Trunks, Fallen Leaves

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Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Storefront, Two Men

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Storefront, Two Men
Two men at a Manhattan storefront as a Columbus Day parade passes by.

Storefront, Two Men. © Copyright 2022 G Dan Mitchell.

Two men at a Manhattan storefront as a Columbus Day parade passes by.

Switching gears again today, this is another photograph from our October East Coast visit. The trip was primarily to photograph autumn color in New England, but we managed to spend a couple of nights in Manhattan before our homeward flight. Our visit coincided with what New York still refers to as the “Columbus Day Parade,” though the more modern designation is apparently also along the lines of Italian Heritage Day. (One bizarrely noteworthy moment was seeing Rudy Giuliani yucking it up at the front of one of the floats, but I digress…) We wandered around the periphery of the parade route, where the onlookers were in many cases more fascinating than the parade itself.

I made this photograph using one of my “blind shooting” techniques. There are lots of different thoughts about how street photographers should (or should not) interact with their subjects, and I think they all have some validity. Here I did not want the subjects to be distracted by me, so I held the camera in front of me as I walked by and made a couple of exposures without look directly at the two men. I think it paid off. I feel like there are a number of ways to try to make sense of what is going on in the scene and what it might imply, but I’ll leave it to viewers to figure this out.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Blue and Green Receptacles, Yerba Buena Gardens

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Blue and Green Receptacles, Yerba Buena Gardens
Blue and Green Receptacles, Yerba Buena Gardens

Blue and Green Receptacles, Yerba Buena Gardens. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Blue and green waste receptacles next to a glass wall at Yerba Buena Gardens, San Francisco.

I’m tempted to not say much about this photograph, beyond the basics of where and when and what. The “where” is along the wall of the performing arts center at San Francisco’s Yerba Buena Center. The when is on a morning with high fog that produced some nice, diffused light. The “what” is, well, a couple of trash cans in front of a large window, behind which there are a couple of other trash cans in the same color scheme, a drinking fountain, and some yellow walls. Profound, no? :-)

G Dan Mitchell Photography
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Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Worn Windows and Shadows

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Worn Windows and Shadows
Worn Windows and Shadows

Worn Windows and Shadows. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Afternoon shadows fall across worn street-side windows in San Francisco, California.

This sort of window along the sidewalk is common in urban areas like San Francisco, where the occupants of the building want some sunlit but don’t want people walking by on the sidewalk a few feet away staring in at them. (The light glowing behind the glass in the upper left suggests that someone is inside.) I was interested in how worn and grungy the glass has become – it begins with several types of obscured glass, in some of the panes the reinforcing wire is very apparent. They it looks like layers of paint may have been added and partially removed at various times – perhaps the windows were painted out? Perhaps grafitti was partially removed? And more recently someone has added various small paper stickers.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

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