Tag Archives: lake

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Lake, New Hampshire

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Autumn Lake, New Hampshire
“Autumn Lake, New Hampshire” — Autumn colors reflected in a northern New Hampshire lake.

Since this year’s New England visit for fall photography was our first, we decided to combine some sure-bet locations with enough time to go out and explore. Our sure bet was in New Hampshire’s White Mountains region, and it was as spectacular as the descriptions suggested. With the help of good luck and good advice, we managed to be there at exactly the peak of fall color. After our first day visit to an obvious, iconic location, we started to push out the boundaries a bit, turning up various roads that took us elsewhere, and discovering interesting things in the process.

We stopped at this lake during a long, looping drive that took us further north. The tall ridges of the White Mountains aren’t seen here — this is a region of rolling hills that is appealing in a different way. We stopped at this lake because it provided open views and the water came right up to the roadway. Once we got out and went to work we saw more ways to photograph it. In addition to the obvious nearby trees and the reflection of those trees and the sky, the distant hills are also blanketed by autumn colors.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

The Urban Wilderness

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The Urban Wilderness
“The Urban Wilderness” — People climb on a rock outcropping at The Lake, Central Park, New York City.

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Lake, Clouds, Floating Leaves

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Lake, Clouds, Floating Leaves, New England
“Lake, Clouds, Floating Leaves” — Fallen autumn leaves float on still water reflecting a cloud-filled sky

This photograph could probably generate a chapter of commentary, but I’ll keep to the traditional two paragraphs. Recently I was asked about making black and white photographs of autumn “color,” and I said that I do so on occasion, at least in part just to push myself to consider how it can be done — what, besides the color, can suggest the feelings of autumn? In addition, this photograph is also the result of the “wandering around” that I mentioned in the previous post — getting away from the obvious places, even when visiting unfamiliar locations. There’s also something technically different about this photograph, though I think I’ll leave that as a mystery. I’ll bet no one figures out what I’m referring to…

A few days into our October New England visit we left the iconic Kancamagus Parkway area behind and headed north and east on, more or less, a “random ride.” This took us away from the tall ridges of the White Mountains, and into different landscapes featuring lower hills, valleys, and more rivers, creeks, and lakes. Near the northern-most point of our route the roadway crossed a quiet lake. We stopped to make photographs of the leaves littering its surface and the reflections of beautiful clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Nature, Photographs: Sierra Nevada

Outlet, Morning

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Outlet, Morning
Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Outlet, Morning. © Copyright 2022 G Dan Mitchell.

Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Don’t hold me to this… but this may be the final photograph in the series from the August Eastern Sierra backcountry trip. A group of us entered the wilderness, set up a base camp, and photographed the area for a week. The group included Michael Frye, Claudia Welsh, Franka Gabler, David Hoffman, Jerry Bosworth, Patty Mitchell, and me — a fine group of colleagues and friends with whom to spend the week! We survived a torrential rain storm on our first day or two, then explored the area around our camp and on up into the high, alpine country nearby.

If you have been following my posts from the trip, this subject perhaps seems familiar by now. The outlet stream from the lake where we camped empties suddenly into a fairly narrow and rugged canyon that descends to a larger valley beyond. The morning light here was often quite beautiful, coming from beyond and somewhat to the right. On this morning a bit of haze, likely from wildfires, glowed in the backlight and slightly muted the details of more distant features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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