Tag Archives: lane

Photographs: England, Photographs: Travel, Photographs: Urban/Street

The Shambles, Morning

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The Shambles, Morning
“The Shambles, Morning” — People walk along a narrow lane on a late spring morning in the Shambles, York, England.

Yes, this. is another in the recent series of photographs from York, England. We were just there for a couple of nights back in early June, when we stopped during our train trip from Edinburgh to London. We didn’t really have time to do York justice, and some wet weather didn’t help, but we enjoyed our brief stay and would go back again. (As is typical with us, our first visit, among other things, usually reveals a number of things that we didn’t manage to visit — we’ll see them next time!)

This is a particularly narrow section of the Shambles, the very old commercial area in York, full of tiny shops. Many are quaint. Some are pretty touristy. (Along this street are several featuring Harry Potter artifacts — which some think is great and others think is a bit too much.) I made the photograph early in the morning, when the first arriving tourists shared the street with what I assume to be locals heading to work.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Amsterdam Bike Lane

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Amsterdam Bike Lane
Cyclists on a bike lane on a cloudy day in Amsterdam

Amsterdam Bike Lane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cyclists on a bike lane on a cloudy day in Amsterdam

This photograph is partly about bicycles and Amsterdam, partly about that interesting and dark sky, partly about Amsterdam architecture and buildings that lean, and partly about that guy in the foreground. This summer was our first visit to Amsterdam. We stayed just outside of the central city and walked a few blocks to get to the well-known areas each day. For many years I was a very active cyclist in the US, but this is an entirely different scene. Almost no lycra, dropped handlebars road bikes, few mountain bikes… and lots of people in street clothes riding very utilitarian bikes… and parking them everywhere. Somehow the intersecting types of traffic — foot, transit, canal, bicycle, car — seem to coexist here, though it can be quite confusing at times for a first-time visitor.

This day’s light was remarkable. There was thin sunlight, but there were also some lovely dark clouds in the sky. If memory serves, we were in light rain later that evening as we ate dinner outside. We ended up talking to a couple who live in Amsterdam about many things. I confessed that I had initially been mildly disappointed to find the cloudy weather when we arrived, expecting it to be sunny. They more or less laughed and pointed out that this was the more typical sort of conditions. (They claimed that I would not see blue sky. That turned out to be wrong… but only by a little bit!)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

The Way (To San Jose)

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The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Maiden Lane, New York City

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Maiden Lane, New York City
Maiden Lane, New York City

Maiden Lane, New York City. New York, New York. August 19, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of narrow urban canyon that is Maiden Lake, in the financial district of New York City.

This street scene is in lower Manhattan, not far from the site of the World Trade Center towers. The morning light seems especially interesting on this curving street as the sun manages to penetrate all the way to the street level and the illuminated fronts of the buildings lining the “concrete canyon” are visible due to the curve.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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